A Quote by James Lassiter

When anyone pitches me - and I've heard it a million times: 'It's the black Seinfeld,' or, 'It's the new version of something that's already been successful' - I immediately shut it off. I won't ever entertain doing 'the new version of such-and-such.'
I did have a sense of parental pride in that character. For 20 years now my films and the TV show have been the only version of Peter Parker. So I wanted this new version, for a new generation, to be really good. I still care about it.
We ship a new version of Google Play Services every six weeks. Typically, 90 percent of users are on the new version of that.
Lahore' has been one of the chartbusters of recent times and the version 'Lagdi Lahore Di' from 'Street Dancer 3D' has a new groovy vibe to it, keeping the original essence intact by Sachin-Jigar. It's created beautifully and as I heard it, I loved the whole new essence and vibe added to it.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Originality is not doing something no one else has ever done, but doing what has been done countless times with new life, new breath.
So we're considering doing a new Christmas album, because there's been Christmas episodes since then, and maybe finally do the version of 'The Most Offensive Song Ever' with lyrics intact.
Some of the best advice I was given was that me doing a bad version of me is better than me doing a good version of someone else.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
I got introduced to Maps by my label, and I liked his sound. I had been living with the original version of 'Younger' for quite a long time when I heard the result of his remix, and I loved it. It actually made me find a new love for the track.
The New York Times distorts and defrauds the news and then claims to be impartial. They never give an even-handed version of the news - that's the last thing they'd ever do.
I want you to hear a new version of Dueling Banjos. Anyone else is welcome.
I have the thickest skin of anyone you'll ever meet. No one can say anything about me I haven't heard a million times before.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
No one would ever have heard Marcus Hummon's version of 'Cowboy, Take Me Away' if he hadn't recorded it on the Sampler. I would have heard it because I hear him sing all the time, but no one else would have been able to enjoy it, and now they can and will be able to for years.
I actually buy the paper version of The New York Times maybe once or twice a week.
This site uses cookies to ensure you get the best experience. More info...
Got it!