A Quote by James Laughlin
We don't attempt to have any theme for a number of the anthology, or to have any particular sequence. We just put in things that we like, and then we try to alternate the prose and the poetry.
Related Quotes
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
If you have the temerity to try to dramatize a theme that involves any particular social controversy currently extant. . . then you're in deep trouble.
Somehow, the words don't have any vitality, any life to them, unless I can feel it marking on a paper. That's how I start. Once I'm off, then I switch to the laptop. I think it would all just be prose if it started on a laptop - not that what I do is poetry.
I'm a poetry-skipper myself. I don't like to boast, but I have probably skipped more poetry than any other person of my age and weight in this country - make it any other two persons. This doesn't mean that I hate poetry. I don't feel that strongly about it. It only means that those who wish to communicate with me by means of the written word must do so in prose.
Any attempt to speak without speaking any particular language is not more hopeless than the attempt to have a religion that shall be no religion in particular.... Every living and healthy religion has a marked idiosyncrasy. Its power consists in its special and surprising message and the bias which that revelation gives to life.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"
My friends tell me that I am an intruder, that I don't really write when I attempt poetry. But those of my friends who write in prose say that I'm no writer when I attempt prose. So really I don't know what to do, I'm in a quandary.
I don't know whether the number of any particular Latino group has made or will make any particular difference in the issues that I am concerned with.
It now seems certain that the amino acid sequence of any protein is determined by the sequence of bases in some region of a particular nucleic acid molecule.
I really like to plan and think ahead and put things in their place. I'm a bit of a control freak. In many ways, I have done myself a great service over the years in trying to loosen that a bit, and trying to learn how to be present and be comfortable with where I am in any particular moment, literally and figuratively. To try and find the joy and peace in any situation, even if I feel like I don't have a handle on where it is or where it's going.
Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming.
Thinking in prose is different. I gained an immense amount of respect for people who write prose, and also felt even more sure that the thinking particular to poetry is essential to my life. I need to think, to explore, to question, in poetry. Without that feeling, I am, in some ultimate way, lost.
when a poem says something that could not have been said in any other way, in music, prose, sculpture, movement or paint, then it is poetry.
In general, I would think that at present prose writers are much in advance of the poets. In the old days, I read more poetry than prose, but now it is in prose where you find things being put together well, where there is great ambition, and equal talent. Poets have gotten so careless, it is a disgrace. You can’t pick up a page. All the words slide off.
I think many people (like myself) prefer to read poetry mixed with prose;
it gives you more to go by; the conventions of poetry have been getting
far off from normal life, so that to have a prose bridge makes
reading poetry seem more natural.
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