A Quote by James Lecesne
In the early 90s, I wrote a play called Word of Mouth in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that hes gay.
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In the early '90s, I wrote a play called 'Word of Mouth' in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that he's gay.
If you're gay, you're gay. It's my Dennis Miller theory of homosexuality shot through the movie "Boy and the Dolphin." If you're a 12-year-old boy and you're watching the movie "Boy and a Dolphin" and a 27-year-old Sofia Loren crawls up out of the Aegean Sea after sponge diving, she's standing there in the deck of the boat in a see-through gauze top, rivulets of water dripping off her torso onto the deck of the boat. If you're a 12-year-old boy and you're watching that and you still want to make it with the captain of the boat, you're gay. You can't fight that. So it is what it is.
Wrestling died. It had a comeback in the early '90s just through word of mouth with Brian Dixon's shows.
I've played gay, and I've played straight... I'm proud to be a gay man myself, and I'm thrilled to get the opportunity to play a variety of different gay men.
At Plymouth I wrote 'Neil Warnock's Wembley Way', a one-year diary, to show people what being a manager was like. I got lucky as the year ended with us winning promotion through the play-offs at Wembley.
I've been interested in pandemics for decades. I even made a four-part series for Channel 4 UK and SBS called 'Invisible Enemies' which screened in the early 90s.
I was a thirteen-year-old boy for thirty years.
In a faraway land called 'pre-2000,' what Earthlings now call blogging was called 'keeping a diary.' It's hard work to do well. I tried doing it in the early 1990s but had to stop because I no longer had a life - instead I had this thing that generated anecdotes to go into my diary. The diary took over and I had to stop.
I've tried to be inclusive in my '2B' series. Over the course of three books, I wrote African-American characters, a paraplegic character, gay and lesbian characters, a bisexual, Jewish heroine, a multiracial hero, Korean and Chinese-American characters, and a multiracial supporting character.
In my final year at Bristol University, I wrote a play called 'White Feathers.' It was produced in the studio theatre at the students' union in early 1999, when I was 21. It's 100 pages long: a very traditional play, with an interval, about deserters in the First World War.
I did a show where I played the mother of a 15-year-old, I was 20 years old when I played a mom of 45. And then, when I was around 28-30, I played mother to Akshay Kumar. So I got typecast very early, if I didn't even have to reach a certain age point.
In thirteen years, every aspect of the universe can change - ask a thirteen-year-old.
Words can mean different things to different people. It is important to understand what people mean when they use a certain word. Let's make an example. Take the word gay. Fifty years ago, gay meant exclusively cheerfulness, lighthearted excitement, merry or bright colors. Today this word has a different meaning. You won't call a cheerful person gay because it could be understood as something else.
I express myself a lot on Tumblr, especially through my diary entries, but my Instagram is my modeling portfolio. I have my game face on at all times.
When I wrote 'East,' I wanted a completely earthy, very sexy, very violent play, so I wrote in verse. I found it not only satisfying but releasing. It gave me an opportunity to play with language. We never played the characters like the yobs that they are, but rather in a slightly heightened way.
The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
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