A Quote by James Lee Burke
I wouldn't write anything autobiographical. If you've lived a life like Laurence of Arabia, it might be a consideration, but otherwise it's a little bit vain, it seems to me.
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I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me - this was denied me, like the spare change we might deny a beggar not because we're mean-hearted but because we don't feel like unbuttoning our coat.
Cigarettes and chocolate milk These are just a couple of my cravings Everything it seems I like's a little bit stronger A little bit thicker A little bit harmful for me.
I think by definition you need to have lived a little bit to write anything that's humanly true.
I don't go to an office, so I write at home. I like to write in the morning, if possible; that's when my mind is freshest. I might write for a couple of hours, and then I head out to have lunch and read the paper. Then I write for a little bit longer if I can, then probably go to the library or make some phone calls. Every day is a little bit different. I'm not highly routinized, so I spend a lot of time wandering around New York City with my laptop in my bag, wondering where I'm going to end up next. It's a fairly idyllic life for someone who likes writing.
I just wear jeans, big motorcycle boots and T-shirts that are way too big for me. I like anything that has lived a little bit, that has traces of life on it. Knitwear that's a tiny bit too long because you've pulled it with your hands, or jeans that are starting to get holes.
I'm actually thinking about maybe, on a spacewalk, not wearing my glasses. I normally wear those both for reading and a little bit of a distance correction, but the distance vision seems like it's gotten a little bit better. So I might go without.
There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
I certainly think that there's a little bit of me in all of my characters, because I feel like the only way you can write is if you put a little bit of yourself in there.
It took me a month to get out of the mindset of O.J. But even now, still, I think it might have done something to my vocal chords. I went to see the doctor, and he was like, 'I don't see anything. You're fine.' But mentally, I might have broke a little bit.
Sometimes my whole life seems like a dream; occasionally I think that someone else has lived it for me. The events and the sensations, the stories and the things that make me what I am in the eyes of other people, the list of facts that make my life ... They could be mine, they might be yours.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
He..." Richard began. "The marquis. Well, you know, to be honest, he seems a little bit dodgy to me." Door stopped. The steps dead-ended in a rough brick wall. "Mm," she agreed. "He's a little bit dodgy in the same way that rats are a little bit covered in fur.
All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
I think a handful of the roles that I've gotten to play are characters whom I've lived that are like younger versions of me but who are maybe more naive and a little bit wilder than when I was. And I've gotten to play 16 and 17 when I was a little bit older, so I got to pull from experience.
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