A Quote by James Levine

I can imagine wanting to work with this ensemble and this company always. — © James Levine
I can imagine wanting to work with this ensemble and this company always.
In New York theater, you always talk about wanting a great ensemble of actors.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
I've always considered myself an ensemble girl, meaning I was always cast in the ensemble.
The Boov frowned. 'Everybodies always is wanting to make a clone for to doing their work. If you are not wanting to do your work, why would a clone of you want to do your work?
I can imagine nothing more wonderful than always wanting to keep a man. It's this NOT wanting to keep them, and yet not quite being able to disentangle one's self, never quite having the ruthlessness to stike at the hands on the gunwale with an oar until they let go - that's the horrible thing.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
I grew up always wanting to be a dancer, and when I went to New York, I fell in love with the idea of performing in all ways. I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything; I just knew that I loved dancing.
When you work for a company you always, well I know, I try to give advice to young kids and other peers that when you work for a company you just don't want to be an employee, you want to be an asset.
A good part of the work is just reading a manuscript and coming to the office. I can't imagine wanting to even read an article about book publishing.
It wasn't until we got our first office in Palo Alto where things became more like a company. We never went into this wanting to build a company.
In always wanting to be comfortable, you become lazy. In always wanting perfection, you become angry. In always wanting to be rich, you become greedy.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
I've always thought of Boeing as the premier aerospace company in the world, so as I was coming up through school, it was the company I aspired to work for.
Sympathy wanting, all is wanting; its personal magnetism is the conductor of the sacred spark that lights our atoms, puts us m human communion, and gives us to company, conversation, and ourselves.
I had studied at the NYU School of the Arts under Lloyd Richards, who also worked with the Negro Ensemble Company.
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