A Quote by James Luceno

There are aspects of writing that require you to image yourself in various roles and guises, to stand in the shoes of others, to 'act' on an inner stage. — © James Luceno
There are aspects of writing that require you to image yourself in various roles and guises, to stand in the shoes of others, to 'act' on an inner stage.
The various roles we incorporate into the criminal justice system as well as the ways in which we construe such roles, lend themselves to the kind of ethical reflection that is open to us all. That said, once we have determined roles and their contours, those who act within them may have special duties and privileges that others may lack. Specific roles may generate ethical inquiries with novel forms, just as new technologies may push us in new directions.
I'm the empty stage where various actors act out various plays.
I have other careers in terms of stand-up, stage acting and writing, so I don't feel too hidebound by that, but I do quite like playing those warm roles.
I think what's really interesting and useful about this question is that ultimately all art is a type of self-portraiture. And so in the act of identifying yourself, you're using others to get to that point. And so you're parsing out different aspects of different people in the world. You're choosing not only from America but increasingly globally different aspects of what's out there.
There's no question that you can explore aspects of yourself through roles that you play, and you get a chance to investigate yourself; that's healthy, and it's therapeutic in a way. But if you're indulging yourself, exploration at the cost of the story or the project, that's not good.
We must know our own roles. We should also know the roles that others play, and the rules such roles follow. In this manner, social harmony is maintained. It is when we overstep our roles, or act without knowing them, that social anarchy ensues.
Liberalism in various guises - feminism, the sexual revolution, gay activism - has been at war with marriage and family for several decades now. And when do-gooders look around at the wreckage of human lives caused by disintegrating families, they call for government to act as father, mother, brother, and sister.
You could be anybody when you're writing. That's the reason that I'm writing: to be anybody. You can put your feet in various shoes and experience anything.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Some of my characters are a mixture of various aspects of people I have met. others are pure invention.
It's fun to get away from myself for a while when I take on these roles that have very different personalities from my own. I get to say things I normally wouldn't say or act in ways I normally wouldn't act. After all, such roles are more challenging because you really have to immerse yourself in the character.
Some roles require less, and some roles require a great deal of commitment.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
The gift of writing is to be self-forgetful... to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.
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