A Quote by James M. Barrie

She was a large woman who seemed not so much dressed as upholstered. — © James M. Barrie
She was a large woman who seemed not so much dressed as upholstered.
We have a direct contact with our clothes; they're like a little house. You have to feel good and at home in what you wear and. I think that's elegance. Chanel said something like: "When a woman is badly dressed, one sees the dress, and when she is well dressed, one sees the woman." That's what I'm talking about.
Gonpo Tso was born a princess. As a young woman, she dressed in fur-trimmed robes with fat ropes of coral beads strung around her neck. She lived in an adobe castle on the edge of the Tibetan plateau with a reception room large enough to accommodate the thousand Buddhist monks who once paid tribute to her father.
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
A woman half dressed seemed to have some power, but a man was simply not as handsome as when he was naked, and not as secure as when he was clothed.
A woman can have a smile, and a woman can have a large backside, but I have been to the mountain and I am here to tell you that when a woman has both of those things she is not to be trusted.
I wanted to give a woman comfortable clothes that would flow with her body. A woman is closest to being naked when she is well-dressed.
If a woman is poorly dressed, you notice her dress. If a woman is impeccably dressed, you notice the woman.
Yes, there have been women in comedy. Moms Mabley was one of the earliest. She was an African American comedian; she often dressed up as an older, disheveled woman.
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
She realized with deep respect that this woman had always done what she had to do and faced what she had to face. If many of her fears and burdens would have seemed unreal to another woman, there was nothing unreal about her courage.
The librarian spoke in a reverential whisper. Corliss knew she'd misjudged this passionate woman. Maybe she dressed poorly, but she was probably great in bed, certainly believed in God and goodness, and kept an illicit collection of overdue library books on her shelves.
She'd never imagined it like this-when she thought of someone (a woman like herself)losing her mind, she'd imagined shrieks and wails, hallucinations; but at that moment it had seemed clear that there was another way, far quieter; a way that was numb and hopeless, flat, so much so that an emotion as strong as sorrow would have been a relief.
When she looked in the mirror these days, she saw someone she didn't recognize...She saw an old woman trying to be beautiful, her skin dry and her wrinkles like cracks. She looked like a very well-dressed winter apple.
a woman is not really dressed unless she is wearing a hat.
A woman is closest to being naked when she is well-dressed.
Has a woman who knew she was well-dressed ever caught a cold?
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