A Quote by James M. Barrie

In love-making, as in other arts, those who do it best cannot tell how it is done. — © James M. Barrie
In love-making, as in other arts, those who do it best cannot tell how it is done.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
If you love people, if you love the country, if you believe that everybody in the country contributes to making it great - if you love everybody and you want the best for them and if you know how they can achieve the best for them - you can't be afraid to tell them.
How much the making of a garden, no matter how small, adds to the joy of living, only those who practice the arts and the science can know.
Writers are egotists. All artists are. They can’t be altruists and get their work done. And writers love to whine about the Solitude of the Author’s Life, and lock themselves into cork-lined rooms or droop around in bars in order to whine better. But although most writing is done in solitude, I believe that it is done, like all the arts, for an audience. That is to say, with an audience. All the arts are performance arts, only some of them are sneakier about it than others.
Reason can tell how love affects us, but cannot tell what love is.
Africa with 400 million Black People can do it. If you cannot do it, if you are not prepared to do it then you will DIE. You race of cowards, you race of imbeciles, you race of good for-nothings, if you cannot do what other men have done, what other nations have done, what other races have done, THEN YOU HAD BETTER DIE.
Dearest darling, how I love you. Words cannot tell how much I love you. So forget it.
More than any other contemporary British playwright, Tom Stoppard populates his plays -- from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman) -- with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary.
I would say as a journalist, I would envision travelling to other countries that have had to reckon with their past and see how they've done it: what worked, what didn't work, finding characters that would tell the story of how that process was done.
For those of you with a guy best friend, ask yourself this: is he really just been your best friend? Has he always been your best friend? Is that how he sees it? Is that how you want to see it? I firmly believe that guys and girls can be great friends without love getting in the way but there are those couples who do fall for their best friends. Are you one of them?
The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
That’s the problem with all of this. No matter how hard I try, I can’t make it perfect. I can’t keep it in a bottle, can’t ignore reality. Chemicals are involved, the kind scientists try to synthesize and put into pill form, and they’re making tremendous advances every day. They’re winning the war against love. It’s probably inevitable now. There are only two ways to see the world: either no one and nothing is connected to anything, or we are all a random series of carbon molecules connected to each other. Tell me if there’s room for love in either of those scenarios.
You can use martial arts to tell a different story. Ang Lee used martial arts in 'Crouching Tiger, Hidden Dragon' to talk about love.
If you are afraid of other people take a martial arts class. The best way to overcome fear is learn to be proficient in martial arts.
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts combined. Students are always asking me for advice, and I tell them that they have to be enthusiastic, because it's hard work. The only way to enjoy it is to be totally immersed. If you don't get involved on that level, it could be a very miserable job. I only have one regret about my career: I'm sorry that we are not making silent movies any more. That is the purest art form I can imagine.
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