A Quote by James M. Barrie

I think one remains the same person throughout, merely passing, as it were, i these lapses of time from one room to another, but all in the same house. — © James M. Barrie
I think one remains the same person throughout, merely passing, as it were, i these lapses of time from one room to another, but all in the same house.
You write a book, it's out for however many years, and with the passing of time, you're not the same person. I'm not the same person I was when I wrote those books; I'm not even the same person I was when I started writing 'Beg.' I had many shifts spiritually, and one of them was in the use of language.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
My family spent many years sleeping side by side in the same room. It's important for me to not separate myself from them or to say that I've suffered more than they have because I'm gay. We all suffered from the same political rejection, and from poverty. When you're starving with eleven other people in the same room, you become connected to them forever. We were all hungry at the same time.
I've been to Sardinia about 10 times because my wife, my daughter and I used to go every year with another family. We rented the same house each time in Villasimius in the southern part of the island, and always went to the same two beaches and same three restaurants.
I try to remain the same player and person that I am all the time. Eventually, you grow up and think a little bit differently. But the core of the mind and the person is still the same as before. It is one of the main characteristics that it is important for me to stay the same.
Everybody who says the same words is the same person if the spectra are the same only they happen differently in time, you dig? But the time is arbitrary. You pick your zero point anywhere you want, that way you can shuffle each person's time line sideways till they all coincide.
One of my favorite stories growing up was A Wrinkle in Time. I loved that book. I still remember the image, so strongly, of all the kids coming out of their house at the same time, they're all bouncing a ball at the same time, and they all go back in at the same time. A Wrinkle in Time moved me deeply.
Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.
I think, now that my brothers and I live so far apart, the greatest gift is when we can be together - when everyone can be in the same room at the same time.
I have lived in one house in Baltimore for nearly forty-five years. It has changed in that time, as I have - but somehow it still remains the same. No conceivable decorator's masterpiece could give me the same ease. It is as much a part of me as my two hands. If I had to leave it I'd be as certainly crippled as if I lost a leg.
The idea that you live your life in phases - I've never bought that. I feel like I'm the same person who sat in at the draft board in 1965, I'm the same person who joined a fraternity, I'm the same person who got an MFA at Bennington, and I'm the same person who founded Weather Underground. My values are still intact.
It is the greatest mistake to think that man is always one and the same. A man is never the same for long. He is continually changing. He seldom remains the same even for half an hour.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
You can get too close as a team. You need time away from each other. You change in the same dressing room, you play on the same cricket field, you stay in the same hotel, you travel in the same planes and buses. C'mon - this business of everyone holding hands and being pally is nonsense.
When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
Within your own generation-the same songs, the same wars, the same attitudes toward those wars, the same rules and radio shows in the air-you can gauge the possibilities and impossibilities. With a person of another generation, you are treading water, playing with fire.
This site uses cookies to ensure you get the best experience. More info...
Got it!