A Quote by James MacArthur

My idea of going to hell is going somewhere where there are no books. — © James MacArthur
My idea of going to hell is going somewhere where there are no books.
Hell, I'm going to play pro basketball. I'm going to maybe be famous. I'm going to write books.
When you think you're going through hell, keep going. The only way out, keep going. If you're going through hell you've got to keep going. You can't stop or that's where you're gonna end up.
When you play me, I'm going to get right up in your grill and let you know it's going to be a long day. It's going to be physical. It's going to be something you don't like. It's going to be hell.
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
Hell is hot, fire. But I tell you, you are providing your own coal. This is how things are: If you move against nature you will be in misery. Misery means moving against nature, and misery is a good indication - if you understand. It shows that somewhere you are going wrong, that's all. Put things right! Misery is a help. Anguish, anxiety, tension, are indications that somewhere something is going wrong. You are not with the total. Somewhere you have started your own private movement - and then you will be in misery.
It's just part of the NFL. There's going to be moving parts constantly. There's going to be roster changes. There's going to be coaches going somewhere else.
I have an idea and a first line -- and that suggests the rest of it. I have little concept of what I’m going to say, or where it’s going. I have some idea of how long it’s going to be -- but not what will happen or what the themes will be. That’s the intrigue of doing it -- it’s a process of discovery. You get to discover what you’re going to say and what it’s going to mean.
Anthropological fieldwork is so much like writing a novel. Granted, you don't have the physical disruption and disorientation, but writing a novel is like entering a new culture. You don't know what the hell is going on. And every day you feel like you have nothing, you're going nowhere. Or you feel that first it's going somewhere, but then you get into that horrible middle part.
I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show.
We're going to serve in eternity. We're not going to sit around on clouds; you know this whole idea of heaven is wearing white robes with angels and play a harp. To me, that would be hell. I can't think of anything more boring.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
Donald Trump's a hell of a performer, he's a hell of an entertainer. If you put him on and let him say his crazy stuff, you're going to get a lot of viewers. If you take him off and have some sober discussion about what's going on in Syria, you're going to lose 80 percent of your audience.
As far as I understand, the Second Coming is already here. It's a consciousness. It is not someone who is going to arrive and land in a clearing in the forest. The Hell that they talk of is going to be people creating their own unhappiness, a Hell on Earth.
I'm an atheist, and the concept of god for me is all part of what I call 'the last illusion.' The last illusion is someone knows what is going on. Nearly everyone has that illusion somewhere, and it manifests not only in the terms of the idea that there is a god but that it knows what's going on but that the planets know what's going on.
No CEO examining books today understands what the hell is going on.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
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