A Quote by James MacArthur

I don't think anyone connected with Five-O believed the show would last as long as it did. — © James MacArthur
I don't think anyone connected with Five-O believed the show would last as long as it did.
When anyone is creating anything, it has no choice but to be in that stream. The art I create and the art my colleagues create is part of it. But the question is: how long will it last in the stream? I think of it really as an enormous river, with its shores very distant from each other, and only time will tell what's going to last in the end. It seems to me that all music of our time is connected, but I never think about where I am in the river or how I would be placed by others inside of it.
Little did I know that the last words I would say on WNBC would be the last ones anyone would say.
When 'Party of Five' ended I believed we had run our course. I believed the basic ideal and premise of the show had been fulfilled.
I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.
I met a bunch of people and they said, "We're gonna do a show [Second City]." So we would buy the theater out and do a show, and we did that for five years and we ended up becoming popular. It was before sketch comedy was hipster-time - when you would hand out a flier, people would roll their eyes. Now it's kind of cool.
I did a show a long, long time ago called 'Cooking Mexican'. It was a studio show as opposed to on-location like the one I do now. Before my first show, I was a cooking instructor, and I did a whole lot of classes for home cooks about Mexican food.
I drink during every show. I can't remember the last show I did completely sober. It works for me. I use it as a tool. It's like steroids are for athletes. I'm looser and more self-confident. If I drank less, I wouldn't have been on stage this long.
I would challenge anyone who thinks that what we do isn't taxing on your body. People see what we do and think it would be fun to try, but I would challenge anyone to do what we do and show them how physically demanding it is. It deserves a lot more respect.
My family did a lot of road trips across these continental United States when I was a kid. Twenty or so of us would caravan in four or five vehicles and hit every corner of the connected 48.
I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
We never thought the show would last this long.
I've always thought that a lot of the problems in the world would be solved if a spaceship did arrive, then anyone with one head and two arms and two legs would be your brother! It wouldn't matter where they were from or what they believed or anything. It might be good for us.
The doctor said, 'He can't last a week.' And I did. And they said, 'There's no way this kid's going to last a month.' And I did. And so they said, 'Two years. He's not going to make it.' Two years. 'Five years. He can't do that.' I lived to be five years. 'He's never going to hit double digits.' And here I am, a new teenager.
I can't tell you if the use of force in Iraq today will last five days, five weeks or five months, but it won't last any longer than that.
I started putting together long-form projects, say, 22 minutes for a sitcom and 42 minutes or something like that for an hour-long show. I didn't feel like it was groundbreaking, nor would anyone think it was groundbreaking now, but at the time, people reacted like it was.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
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