A Quote by James Mackintosh
Praise is the symbol which represents sympathy, and which the mind insensibly substitutes for its recollection and language.
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The highest thoughts are those which are least dependent on language, and the dignity of any composition and praise to which it is entitled are in exact proportion to its dependency of language or expression.
The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people.
Silence 'is so lacking in this world which is often too noisy, which is not favorable to recollection and listening to the voice of God. In this time of preparation for Christmas, let us cultivate interior recollection so as to receive and keep Jesus in our lives.'
Everything which is, is thought, but not conscious and individual thought. The human intelligence is but the consciousness of being. It is what I have formulated before: Everything is a symbol of a symbol, and a symbol of what? Of mind.
The cloud represents the creative power of the mind, which can assume any imaginable form. It is the ideal medium of creation for the enlightened mind, which manifests itself on the plane of timeless meditative vision.
When a writer receives praise or blame, when he arouses sympathy or is ridiculed, when he is loved or rejected, it is not on the strength of his thoughts and dreams as a whole, but only of that infinitesimal part which has been able to make its way through the narrow channel of language and the equally narrow channel of the reader's understanding.
True love's the gift which God has given
To man alone beneath the heaven.
It is the secret sympathy,
The silver link, the silken tie,
Which heart to heart, and mind to mind,
In body and in soul can bind.
The words themselves are clean, so are the things to which they apply. But the mind drags in a filthy association, calls up some repulsive emotion. Well, then, cleanse the mind, that is the real job. It is the mind which is the Augean stables, not language.
Music is 'significant form,' and its significance is that of a symbol, a highly articulated, sensuous object, which by virtue of its dynamic structure can express the forms of vital experience which language is peculiarly unfit to convey. Feeling, life, motion and emotion constitute its import.
On Being Blue celebrates both language and that which it represents and carefully draws our attention to that difficult middle ground on which the writer finds himself in lifelong struggle to join the two without sullying or smearing the clarities of either.
Our entire being is fashioned as an instrument of praise. Just as a master violin maker designs an instrument to produce maximum aesthetic results, so God tailor-made our bodies, souls and spirits to work together in consonance to produce pleasing expressions of praise and worship. When we use body language to express praise, that which is internal becomes visible.
Nothing can be true which is either complete or vacant; every touch is false which does not suggest more than it represents, and every space is false which represents nothing.
It is more or less rude to scorn indiscriminately all kinds of praise; we ought to be proud of that which comes from honest men, who praise sincerely those things in us which are really commendable.
We must remain, in a word, in an intellectual disposition which seems paradoxical, but which, in my opinion, represents the true mind of the investigator. We must have a robust faith and yet not believe.
It has been shrewdly said, that when, men abuse us we should suspect ourselves, and when they praise us, them. It is a rare instance of virtue to despise which censure which we do not deserve; and still more rare to despise praise which we do.
Poetry is not the language we live in. It's not the language of our day-to-day errand-running and obligation-fulfilling, not the language with which we are asked to justify ourselves to the outside world. It certainly isn't the language to which commercial value has been assigned.
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