A Quote by James Maddison

I learnt so much at Coventry - I was playing as a regular at 17, most weeks. And that's something that left me in good stead. — © James Maddison
I learnt so much at Coventry - I was playing as a regular at 17, most weeks. And that's something that left me in good stead.
They wanted to play me central midfield when I was at Aston Villa, so that's why we left. Things were going good at Coventry, but then scouts from Manchester United and different clubs around England were watching me, and I don't think Coventry liked that.
To me who dreamed so much as a child, who made a dreamworld in which I was the heroine of an unending story, the lives of people around me continued to have a certain storybook quality. I learned something which has stood me in good stead many times - The most important thing in any relationship is not what you get but what you give.
When I was about 17, I had a row with my mother and left home for six months, renting a flat and working as a waitress for a while. I learnt you could double your earnings if you gave good, cheerful service. It taught me that in any job you can improve your lot.
As a child, I was rather active for my age. Sensing something special about me, my father told me that I had the vision to accomplish great things in life. He always encouraged me to do what I wanted to do - and this has stood me in good stead.
Me being at Coventry, instead of a big Premier League club, probably helped me develop. You don't get put in the academy system, playing Under-18s and Under-23s.
When I was playing Under-14s I had a bit of a problem with a pelvic slip disc. That left me bed-ridden for about six weeks.
I never once had a regular paycheck. Not for more than six weeks in a row and for the most part not even that. I still haven't. The notion of some whistling kid with a mail cart coming down the hall and handing me my weekly paycheck is something I've only seen in Matthew Broderick movies.
My father spoke with something very similar to a 1920s newscaster type of English, and I learnt that accent of power in post-colonial Zimbabwe. So I learnt that, and I learnt how to copy it, and I learnt how to shift in and out of it, but also talk like my mother's relatives in the village.
I left my home when I was 13 years old, I was a professional at 17, and I've been playing basketball since.
I am lucky to have got the character of Twinkle to make my debut. I not only learnt so much playing the role, but it also gave me popularity.
When I first came in Stuart Pearce was great for me, gave me my debut at 17. Back then I wasn't really playing for much and you could just go out there and enjoy it.
I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
When I got enough confidence, the stage was gone. When I was sure of losing, I won. When I needed people the most, they left me. When I learnt to dry my tears, I found a shoulder to cry on. And when I mastered the art of hating, somebody started loving me.
The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
Good work in the building of my vessel stood me always in good stead.
Sometimes you can't write a novel for weeks and weeks, but it's good for your self-esteem to work on something else.
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