One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
I learned a lesson that I keep learning over and over, and that is that the most fun is to watch our main characters interact with each other. The most fun comes from their tight interaction.
The elements in a relationship which seem impossible to share, the secretly disturbing, dissatisfying elements, are the most rewarding to share. This is a hard, risky, frightening thing to learn, and it needs to be re-learned over and over.
Beautiful fabrics last; synthetics don't. Certain fabrics, such as linen or cotton, develop their own character over time.
What's unique for me, as an actor, is this idea that I don't have to be grounded to the natural law of things. I can pull things out of the air and communicate with other spirits and other elements in other languages or forms, but I'm still right here, on the earth. That's a lot of fun.
For every role, I brought certain elements of the character. Even on 'White Collar' over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
I learned little by little. I learned how to draw. I learned how to tell the difference in the quality of fabrics - the subtle differences. I started with collections for men. So my first collection for women was deeply inspired by male roles.
I've learned over the years that freedom is just the other side of discipline.
We pick players on their profiles. Over the years, I've learned that, if you have one cog that's not quite right in the system, that flow of how you want to play can't work.
We swung over the hills and over the town and back again, and I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know -- that no horizon is so far that you cannot get above it or beyond it.
We all have to strive to learn what motivates us, learn from our experiences, and what feels right and what feels wrong. There's a strong component over the years to having formal processes that help to identify lessons that need to be learned, and actions that need to be taken. In other words, how do you find the big idea?
I learned to put my trust in God and to see Him as my strength. Long ago I set my mind to be a free person and not to give in to fear. I always felt that it was my right to defend myself if I could. I have learned over the years that when one's mind is made up, this diminishes fear; knowing what must be done does away with fear.
But I have learned over the years that all I can do is reach for something difficult - try to get the colors right and the negative space, the angle of the light. And if a few people can see it, that has to be enough.
A well-tailored suit is important - and I don't like wearing belts with mine - it should be tailored to your body.
If I'm wearing the wrong clothes I can't think. It sounds so weird but it just has to be the right fabrics and like the right feeling on my body.