A Quote by James Marsden

I am constantly hustling and finding new things. You try to manage so you don't look back and see huge gaps of time that you missed with your family. — © James Marsden
I am constantly hustling and finding new things. You try to manage so you don't look back and see huge gaps of time that you missed with your family.
In the future I would like to try other forms of racing, testing Formula cars or single seaters would be good, but again it is finding the time as I am incredibly busy. I don't think I have the time to try any other new sports. I have already cut skiing out of my routine in order to manage the racing and riding relationship. By the looks of things I am going to be busy for quite a few years.
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it. That's why I love coffee shops and public places - I mean, they're all out there.
I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are, and to look where things have gone missing.
I have received some racist abuse, but you will never see me fighting back or being aggressive on Twitter. When I do reply, I try to be as kind as possible in order to change these people's opinions. If they look at me as a Muslim voice, and they are being negative and I am being aggressive back, that's only going to reinforce their opinion. So, there is a quite a weight of responsibility. I am constantly checking what I am saying and reigning in my anger. And, I never go on Twitter when I am drunk.
When you work for long, you know things about your craft, but how differently you are going to project it so that it can still look new is what I am constantly trying.
For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
Because I am a chef, I have to try new things all the time, so it's been really good to have my family to be able to be there and test everything out.
Sometimes 'Frances' can be about finding the missing piece, trying to look for biological family as opposed to maybe realizing your family is whoever is around you at the time.
Beware of advice. Consider your sources carefully. Look them up. See if you respect what they've made. Get educated. Be informed about who's real and who isn't. Study your craft and your industry, practice all the time, challenge yourself - write things you think you can't, try things you have been told you shouldn't try - leave room for surprises, and learn how to collaborate.
You can't manage time, you actually only manage what you do during time. So the management issue is not so much about time, it's more about how do you manage your focus, how do you manage your actions and your activities in terms of what you do.
The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple-universe.
It's promising and seductive, that huge Italian family, sitting around the dinner table, surrounded by olive trees. But it's not my family and I am not their family, and no amount of birthing sons, and cooking dinner and raking leaves or planting the gardens or paying for the plane tickets is going to change that. If I don't come back in eleven months, I will not be missed, and no one will write me or call me to acknowledge my absence. Which is not an accusation, just a small truth about clan and bloodline.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.
When I look back on my ordinary, ordinary life, I see so much magic, though I missed it at the time.
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