A Quote by James Marsters
I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.
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I'm aware now over the last 5 or 10 years that when you do an accent, you really have to kind of get down to the nitty gritty and go into the phonetics of it, if necessary. Find out not just the sounds but the rhythms and the music - or lack thereof - in a particular accent.
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.
Stacy had this more fluid style. You meet him, he's just such a nice guy. Tony's an awesome guy too, but back then, he was a real aggressive kid and they were in such a different place. Stacy was so sensitive and at the same time so competitive when it came to his skating.
We'd even devised the Buffy scale of life relationships: you start off wanting Xander, spend your twenties going out with Spike and setttle down with giles.
I think we sent Tony Fucile pictures of ourselves, photos from like when we were seven years old. That's what he worked from. He captured exactly what we looked like. I'd love to do another one with Alison, not just for the joy of writing, but also for the joy of watching Tony bring it to life with his illustrations. I'm hoping at BEA, or ALA, I'll get to meet Tony and shake his hand and thank him.
I hate it when people talk about Tony Curtis and say: 'His real name was Bernie Schwartz... ' That was just the name that he was given at birth. It's not the person he lived his life with, and became.
One night a guy hit his head on a welding gun. He went to his knees. He was bleeding like a pig, blood was oozing out. So I stopped the line for a second and ran over to help him. The foreman turned the line on again, he almost stepped on the guy. That's the first thing they always do. They didn't even call an ambulance. The guy walked to the medic department -- that's about half a mile -- he had about five stitches put in his head. The foreman didn't say anything. He just turned the line on. You're nothing to any of them.
The tour life is real tough on a marriage. To the young guy who is just getting his PGA Tour card and is in a serious relationship, my advice is to wait three years before getting married.
I can honestly say that I've never seen such a transference, from person to character, as I have with James 'becoming' Tony Soprano. Because he was, of course, nothing at all like Tony in real life.
The president may be a nice guy, but he's just over his head.
What you're born with dictates your life. Do you run home after dark? Do you choose an apartment in a questionable neighborhood? I dated a guy a few years ago in California, actually who was, as we say in England, "built like a brick shithouse." He was a lovely guy, but I thought, his arms are as big as my head, he could kill me. I don't think that men would predict the kinds of things that women think about when you are contemplating having a relationship.
I am still around too many Italian people to start speaking like a guy from London. I live in Italy for six months of the year, all the people in my restaurants are Italian and it means that when I speak, it is always with an Italian accent in my head.
I feel like you know what you're going to be good at when you're older based on what you like when you're younger. When I was younger my best friend was Tony, this kid Tony, and he loved rocks. He was always playing with rocks, counting them, and now he's a crack head.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I know in London a Welsh hairdresser who has striven so vehemently to abolish his accent that he sounds like a man speaking with the Elgin marbles in his mouth.
I'm from New York, I'm 53, I have my moments when I'm a nice guy, and more frequently I have my moments where I'm a middle-aged aggravated person. For years I was always the nice guy, so in life I had to pretend to be the nice guy.
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