A Quote by James Marsters
Speed Racer is good to cut your teeth on, but if anyone has not seen Akira, go get it.
Related Quotes
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
Janet's a serious racer with some good race-car stuff. She can get the job done. I respect her as a racer.
I had relatives who would go to Japan and bring back random stuff they bought at the airport or whatever - 'Ultraman' and 'Speed Racer,' stuff like that.
Don't try to tackle a two-hour feature movie as your first project. Cut your teeth on a smaller level and work through the kinks at that level and build your strength as you go.
The tag that I was too small and too slow just made me work that much harder. Besides, quickness is more important than flat-out speed. How often does a receiver run 40 yards straight down the field? Not very often. Lateral speed is what counts. How quickly can you get in and out of a cut? I can do that as well as anyone.
Independent films are where you really get to cut your teeth and have some fun and do the things that mainstream Hollywood doesn't want to do.
I'm not a girl racer, I save my speed for the race track.
In the olden days you cut your teeth on the northern club circuit. I've cut mine on the southern black-tie circuit.
I have never seen one who really loves goodness or one who really hates wickedness. One who really loves goodness will not place anything above it. One who really hates wickedness will practice goodness in such a way that wickedness will have no chance to get at him. Is there anyone who has devoted his whole strength to doing good for even as long as a single day? I have not seen anyone give up such an attempt because he had not the strength to go on. Perhaps there is such a case, but I have never seen it.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.
Oh, let us lose our milk teeth and cut instead the strong teeth of hate and love.
People have seen now I am a racer, and I have big intentions in the sport, and I am prepared to get my shoulders out if I need to.
I don't know how to construct a career that'll make me famous. Except maybe get my ears pinned back, get my teeth done, and go to America. But then I'll be competing with billions of actors who haven't got false teeth, and who are 25.
I told Monster the other day, I'm a racer's racer. This is what I truly love to do.
I never give anyone advice: it can backfire horribly. In the 1950s, Eric Morecambe told Ken Dodd to get his teeth fixed. But those teeth turned out to be one of Dodd's big selling points.
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