A Quote by James May

I find the history of toys very interesting on an academic level - they're very much products of their time, just like paintings and furniture tell us about their time. — © James May
I find the history of toys very interesting on an academic level - they're very much products of their time, just like paintings and furniture tell us about their time.
To me, all these things tell a story, and I find clothespin parts as interesting as 'collectors' furniture.' Good pieces of Shaker furniture are interesting, but only so much. It is the other things and the personal effects that let me feel the Shakers.
I am so happy that I decided to cut my hair. It literally takes me three minutes to do my hair. I get out of the shower, put some conditioner in it, and it's just, 'Let's go,' and I love that! I think it's very, very important to find products that allow us to be able to have more time to do things like that.
Paris in the mid-'50s was a very interesting place. It was only ten years after the Third Reich had left, and the city was awash with guns, and crime, and racketeering, and all sorts of hangovers from a very difficult time in French history. So it's an interesting time to be a policeman.
Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
The interesting thing about Laika is that it's very much an island of misfit toys. It's unusual people with strange talents and very unusual passions who have somehow found each other.
I think the idea is now for blacks to write about the history of our music. It's time for that, because whites have been doing it all the time. It's time for us to do it ourselves and tell it like it is.
Someday I would love to write about Vincent van Gogh - his paintings and letters continue to inspire me very much. But it remains hard to find the time and inner rest to write.
I'm a beauty person on YouTube, and I'm very, very, very hyper-aware of things, and I like to dive into products and just really go in and hone in on products - whether I think they're worth the money or not.
There's a period where you feel very hinky and low about yourself, like, 'That was a lot of time, and there's nothing to show for it.' I've tried to tell myself that if you're going to be a filmmaker, you can't really talk like that about time, because you'll hate yourself or feel very worthless.
During a time of surplus, a time of peace before 2001, it was much easier to try and find middle ground. We were running surpluses. But during a time when we're careening into bankruptcy and failing miserably on our foreign policy it's just not the same old "find consensus, go along to get along, be pragmatic, come together" place that it was. I think that some very hard decisions and very hard choices have to be made. They won't be popular, but they're necessary.
The Seventies were just an interesting time for us because we were building the brand of the name but also varying the style of the music on each of the albums we did. Very creative time of us.
I'm very, very bullish about our prospects, and as I tell our board, as I tell our employees, this is the time to invest. There's so much opportunity. Let's just invest in that opportunity, and really get after it.
We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
To tell you the truth, if you're looking at rising pretty high, then you need to find a way of taking care of these problems and not taking time off. At the end of the day, it is a very tough competition. And in a very tough competition, if you just take breaks, then it's going to become much, much more difficult.
L.A. as a geographical entity is very much a mixture of surf, desert, and the mountains, earthquakes and urban sprawl. Within an hour of driving, you can be out into the desert. I like that very much about living on the edge of a continent, conceptually is an interesting place to be. You're at this kind of juncture of a tectonic plate. The idea that the Pacific Ocean is right behind us, on a macro scale, is an interesting place to be.
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