A Quote by James May

We've always liked the word 'chump', and it's quite nearly our initials - Clarkson, Hammond, and May Productions. — © James May
We've always liked the word 'chump', and it's quite nearly our initials - Clarkson, Hammond, and May Productions.
Jeremy Clarkson wants to become a farmer - he's bought a field - Hammond wants to open a supermarket, and I'd like to spend my days owning a shoe shop.
I have talked to Debbie Hammond quite a bit, Jim Hammond's wife, his widow. I've seen their kids. And last time we played Dallas, a lot of them came over. It's hard for them to come see the show. It's still hard.
If our impulses were confined to hunger, thirst, and desire, we might be nearly free; but now we are moved by every wind that blows and a chance word or scene that that word may convey to us.
Nearly all our ills are the result of neglect in some way or other. And this truth may be said to apply to the ills of nations as well. Negligence is at the bottom of all decay. And decay always starts by showing little signs-or warnings. Then is the time to show interest and to be alert. There is nothing quite so easy as to neglect, and nothing quite so difficult as to repair that negligence. Negligence always carries a high price. It costs nothing to avoid it!
I think the compositional side of my productions have progressed and matured a lot more, and creating melodies is actually what I have always enjoyed the most, so my productions will always contain that strong musical element.
I got his initials tattooed on the back of my neck, you know, since we both now have the same initials.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
Man himself has become our greatest hazard and our only hope. So that today, St. John the apostle may well be paraphrased: In the end is the Word, and the Word is Man - and the Word is with Men.
Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
I think I'd be quite good at Builder, like designer, construction... I've always liked making things. I'm quite good with my hands. So I think I'd be quite good at designing new inventions.
I always liked dressing up. I think, because I always liked performing, I always liked costumes and things like that.
[On collectors of quotations:] How far our literature may in future suffer from these blighting swarms, will best be conceived by a glance at what they have already withered and blasted of the favourite productions of our most popular poets.
The word 'meaningful' when used today is nearly always meaningless.
The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.
Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.
Even in such a time of madness as the late twenties, a great many man in Wall Street remained quite sane. But they also remained very quiet. The sense of responsibility in the financial community for the community as a whole is not small. It is nearly nil. Perhaps this is inherent. In a community where the primary concern is making money, one of the necessary rules is to live and let live. To speak out against madness may be to ruin those who have succumbed to it. So the wise in Wall Street are nearly always silent. The foolish thus have the field to themselves. None rebukes them.
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