A Quote by James May

I think the astute viewer can recognise I am the proper bloke, because I have a toolbox and can put things back together, and I can quote W. B. Yeats and Alfred Lord Tennyson.
There Lives More Faith in Honest Doubt, Believe Me, Than Half the Creeds. - Alfred, Lord Tennyson
I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.
Because you think an explosion has taken place and you're looking at the shards and you say, 'Well, can we put this back together?' And by God, maybe you can put it back together. And maybe it won't be the same, but maybe it will be different, and maybe it can even be better in a different way.
I use are provisional terms, and they usually put any proper nouns in critical distance. I'm in a tradition of people who resist naming, fixity. That means it's a tradition of people who insist on mobility, who defy proper nouns and genres and those kinds of things. When I push back against the word 'jazz' it's because I've learned that from many, many elders who think that way. I'm not just being a jerk.
I think that the media should stop with this unnamed source stuff, put names on a piece of paper and print it. If people aren't willing to put their name next to a quote, then the quote shouldn't be listed, period.
When I first became famous in the United Kingdom it was helpful because it meant there wasn't a spite of 'this bloke's a drug addict,' 'this bloke f**ks all these women' because I was just making jokes about all those things already, so it made me some kind of incorruptible indefatigable, indestructible force.
Tony Wilson once compared me to WB Yeats. It didn't really mean that much because I didn't have a clue who Yeats was.
Perhaps I can say that I am a bit astute, that I can adapt to circumstances, but it is also true that I am a bit naive. Yes, but the best summary, the one that comes more from the inside and I feel most true is this: I am a sinner whom the Lord has looked upon.
I never learned to cook, so I've got no rules. I'll put things together just because I think they belong together.
I think a lot of people become actors because they have a great reservoir and repertoire of many different emotions they felt over their lives. It's like having a toolbox, and you go down into the toolbox and choose one or two of those that you need for a particular scenario, or something that comes up in a line.
I think Ed Harris is a conscious screen actor, so I think it was strong, it was like he put everything together somehow in 'The Way Back'. He likes, I don't want to say the method approach, because that's not really necessarily his way of working, but it was easy to do because of the location. He'd go off by himself, and they would make things.
Businesses are made by people. We've proven time and time again that you can have wonderful shop, and put a bloke in there who's no good, and he'll stuff it up. Put a good bloke in, and it just turns around like that .
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
Nature has provided us a spectacular toolbox. The toolbox exists. An architect far better and smarter than us has given us that toolbox, and we now have the ability to use it.
I think I'm fairly good with money, but I've developed some strange tics - in shops I don't like to go to the counter unless I've got at least two things to buy. If I'm walking around with just one thing in my hand I'll put it back and wait a few weeks because that doesn't seem like a proper purchase.
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