A Quote by James McAvoy
It's quite liberating to have a director stand beside the camera and say: "Do this now, and do that now..." It's also a bit sordid but it liberates an actor, I think.
Related Quotes
I think I do have a good eye. It's quite liberating, being in a position to read a script and say, 'No.' It's really the only power you have, as an actor.
I am grateful to have been loved and to be loved now and to be able to love, because that liberates. Love liberates. It doesn't just hold - that's ego. Love liberates. It doesn't bind. Love says, 'I love you. I love you if you're in China. I love you if you're across town. I love you if you're in Harlem. I love you. I would like to be near you. I'd like to have your arms around me. I'd like to hear your voice in my ear. But that's not possible now, so I love you. Go.'
I think the idea now of being a performer in this era of social media saturation means that you have to be an actor, a musician, a stand-up comic, writer, or a director. Focusing in on one thing doesn't take up all of your time.
So, to get to play somebody who was insisting on it, in spite of all the evidence was very liberating and exciting. It went quite deep. I suppose I reference a kindness and humility that I would have seen in my parents' generation, a little bit more than now.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
Do what you want I don't care. That's the thing to say to an actor. Most people don't understand that. Not to manipulate them. That's what you say to an actor. You got a problem with the whole environment in doing that? Fine, what are we going to do to make the scene work? Now you have someone on your side. Now you have someone working with you.
It is quite hard to relax in London. I always say I'd move somewhere quieter, but I am a bit of a confirmed urbanite now - it crept up on me without me noticing. I always think that I function quite well on my own, unusually so, but then I'm reminded how important people are to me.
Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.
I remember Kevin Pietersen and Ian Bell getting into me quite a bit. I don't think they really rated the way I played. But maybe I've changed their views now perhaps a little bit.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
I actually think film and TV are sort of the same thing now. To me they're all motion pictures. There's a camera, a script, other actors and a director. Doing a sitcom is a little different. It's kind of a hybrid, half movie, half play, presented in a proscenium fashion - the camera's on one side of the line, the set on the other, the audience sitting behind the cameras.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
People really have come for a dialogue when they go to a stand-up show in the U.K. They say, 'I understand that you have now finished your little comedy monologue; now I have something to say regarding what I've just heard.
There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.
I am aware that as an actor, I can blame others for the failure of a film, the director, the script, choice of co-stars, timing of the release and so on. But now, as the director, I will have to shoulder all the blame.
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