A Quote by James McAvoy
I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
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I think you've got to take the risks. There's no point playing it safe, because either you'll get bored or the audiences will get bored. Sometimes, you're going to make mistakes, and that's fine, but you have to take the risks. I think Pirates is one of the prime examples of that with Johnny Depp's performance, and part of the reason that people love it so much is that you watch it and go, "Gutsy, really gutsy!"
I like playing the same person over and over again. I've done shows for over a year on Broadway, and I never get bored.
I get easily bored, so it's better for me to be a session player rather than playing the same music over and over again.
I think actors, at a certain point in their careers, decide they're either going to keep taking risks or take the exact same risk over and over again so that it's not a risk anymore. That's when I don't want to work with them. I think there are some actors who are just doing the exact same thing, and they will never shift from it.
Musicians tend to get bored playing the same thing over and over, so I think it's natural to experiment.
I like to improvise so much live because I get bored playing the same thing over again. It's like the kid at school that already knows all the answers so doodles all over the paper. I do that a lot live.
That's how you get deathless, volchitsa. Walk the same tale over and over, until you wear a groove in the world, until even if you vanished, the tale would keep turning, keep playing, like a phonograph, and you'd have to get up again, even with a bullet through your eye, to play your part and say your lines.
To be honest, I didn't have any expectations. I really didn't know what to expect. What I was most nervous about was the repetition of doing it over and over and over again. Does that get stale? How do you keep it fresh? Then I realized it's always new because you get to keep playing the next moment.
I think, I just always want to leave the door open for, you know, I don't want it to be finished. I've never gotten sick of a song, I've played them over and over and over again, and if I get bored with something, then I'll just change that thing.
Honestly, as a director, at least for me, if I start doing the same thing over and over again, I'm going to get bored really quickly.
I don't want to play the same character again and again, because I'd get bored. If I get bored, so will the audience.
I might revisit - I like the idea of doing something else with [Hunt for the Wilderpeople characters]. But also I get bored of doing the same thing again. I just get bored.
If you have the same guys at the top of the card all the time, people get bored of it. They don't want to see the same guys wrestling over and over again.
If all you're doing is playing it safe - trying to make the same movie over and over again - that's when the audiences say, 'Oh, this is just a moneymaking machine.' But if it's genuinely in service to the art form, then the franchise concept is being used in a way that's exciting.
When I hear the same formula being used over and over, I get bored. Just as huge pop artists have taken inspiration from things that are happening at the moment, I do the same with my music.
I'm not a risk-taker; that's probably why I write - because when you're easily bored, but you don't like taking risks, you end up doing it all in your head.
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