A Quote by James McAvoy

Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting. — © James McAvoy
Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.
Some celebrities, it's interesting, because they're fantastic playing a character when somebody is writing the lines for them, and they're amazing actors, but they're not as comfortable on television in front of a live audience and just having a conversation and being themselves.
I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.
I've always been - as a teacher, as graduate student, as a student, and I think, really, as a child - I've been interested in poems, but not so much for what the take home pay is, what you might sum up from them in moral or intellectual terms or whatever, but what's in the certain lines and how lines relates to other lines.
My guitar-playing always included bass lines, melody lines, and rhythm-guitar grooves.
Sometimes the lines in a song are lines you wish you could text-message somebody in real life.
If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.
I'm pretty focused on my career, and if it comes down to hanging out with somebody or learning my lines, it's gonna be learning my lines.
Psychologically, you learn the values that are inherent in the dialogue, and you learn to apply it to the way you read the lines. That's acting. You're not yourself saying those lines, you're somebody else.
I need a costume to be convinced that I'm somebody else. Otherwise, it's just me. It's just Amy saying lines. I haven't really become somebody else. And what's the fun in that?
As you're learning your lines and the character you're playing, you're going to make mistakes but I learned more about Shug Avery. I learned my lines, but everything had to be done quickly.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
Playing somebody who's still alive is very interesting.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
It's going to be very interesting to see somebody playing me.
It's interesting to hear what somebody does when they have no interest in playing by the rules.
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