A Quote by James McAvoy

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
Next thing you know she'll be on the bus and selling T-shirts in the parking lot, showing off her boobs to get in the stage door." "At least she has boobs to show," Jess said. "I have boobs," Chloe said, pointing to her chest. "Just because they're not weighing me down doesn't mean they're not substantial." "Okay, B cup," Jess said, taking a sip of her drink. "I have boobs!" Chloe said again, a bit too loudly--she'd already had a couple of minibottles at the Spot. "My boobs are great, goddammit. You know that? They're fantastic! My boobs are amazing.
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
I don't really date. I have a weird vision of relationships because my parents have known each other since second grade, and they got married right out of college. I've always thought that's what it's supposed to be like, and if it's not, then I don't want to waste my time on it. Even when I was 14, I was like, 'I'm not gonna marry this person. What's the point of doing it?' It's not me being naive. I just know what it's supposed to be like, and I think until I feel that, I cannot be bothered.
I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.
I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes.
You have to really swallow your pride and admit that you want to make a comeback. And that means that you weren't at your best and I feel like I stopped being who I needed to be. When I started making this record "Born Villain", I didn't want to be what I used to be but I certainly didn't want to be what I was at the time. I knew that I was supposed to be something better then what I was. I feel that I am close to being what I'm supposed to be and am enjoying what I'm doing here.
I have boobs!" Chloe said again, a bit too loudly— she'd already had a couple of mini bottles at the Spot. "My boobs are great, goddammit. You know that? They're fantastic! My boobs are amazing.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
My sister is my little star, and I'm excited for her and proud of her. With her, I'm protective, but also I don't want to be that sister who's really pushy and thinks they know everything and making her feel like she doesn't know what she's doing. I'm trying to be that cool older sister and not the mom, but it's hard.
Aria: I went to Hollis. Because I was looking for...you know. Her. She was teaching an art class, so I ran inside, grabbed a paintbrush, and painted a scarlet A across her chest. You know, like that woman in The Scarlet Letter? It was awesome. She didn't know what hit her. And then I said, 'Now everyone will know what you've done'. Ella: Do you realize that Hester Prynne is supposed to be a sympathetic character?
I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.
Is love supposed to last throughout all time, or is it like trains changing at random stops? If I loved her, how could I leave her? If I felt that way then, how come I don't feel anything now?
I was trying to write then and I found the greatest difficulty, aside from knowing what you really felt, rather that what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things which produced the emotion that you experienced.
She's not like anyone I've ever seen before. When I'm not with her, I want to be. And when she opens the book and I see her face, I can barely remember what I'm supposed to say, much less how to speak at all." I test the words on my tongue. "I think I might be in love with her. But how can I really know, since the only love I've ever experienced was written for me?
I don't really know what feeling Japanese or Haitian or American is supposed to feel like. I just feel like me.
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