A Quote by James McAvoy

I remember that it was never that difficult for me to get a director to look up and pay attention to me. Mind you, I don't know if that's necessarily charm. But I've played roles where my character has to be charming and I've found it quite easy to do. I think some of it is in my bones, but some of it is more deliberate.
I'm quite lucky in that at certain angles I look all right, and at others I don't look so good, which enables me to play some leading roles and some stranger, more 'character'-type parts. I wouldn't say I'm the conventional handsome Hollywood leading man.
For me, being an actress, my responsibility is not to pay attention to all the noise around me and to pay attention to the script and the director and protect the character and try to tell her story the best I can.
Eventually we have to "settle up" and pay the price for our ethical violations. Just remember the old line that says, "You can pay me now . . . or you can pay me later." Often you can buy some time, but when you "pay later" you'll probably have to pay more.
I don't think I change, but it definitely makes me aware of some of the things that are inside of me. Actually, because I have played a lot of villains up until now, I put something of myself into these roles. So when I see myself on the screen I'm more aware of when I'm like them in real life. I can feel it. That's the character you play; that's the guy you don't want to be. So I'm more in control of it.
Books are like people. Some look deceptively attractive from a distance, some deceptively unappealing; some are easy company, some demand hard work that isn’t guaranteed to pay off. Some become friends and say friends for life. Some change in our absence - or perhaps it is we who change in theirs - and we meet up again only to find that we don’t get along any more.
I've played some gangster roles, but that's obviously not me. When you're an Italian-American New York actor, it's just an easy way to get cast.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
I thought some of the stories were neat; I liked some of the liturgy and some of the songs. If you're a writer you have some inclination to pay attention. I didn't just tune it out and think about baseball. So, it had an effect on me.
I know I'm likeable, but living with me is different. Yes, I can be charming. That desire to please people and learning what to do to charm their socks off is something many of us do. But you get into a relationship, and the party's over at some point. They see the real you.
I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
You don't learn charm. It's not something that you can acquire. I have used it much in my life with great success, but it's not necessarily what makes me an actor. It became a very easy label to attach to me. It also feels a bit dismissive. People go, 'You're so lovely and charming', but it's a wee bit, 'That's all you are.'
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I was amazed by how much you have to think about as a director. As an actor, you don't have to think about much at all, as it turns out. It's very easy. And then when you step into the director's role, there's this whole universe of stuff that you have to pay attention to that's amazing to me.
Some people kind of get lost in what everyone else is doing and not pay attention to themselves, and I think I'm one where I pay attention to myself and can set the example for the people coming up.
I want the young people to pay attention because, see, back when I first met Barack, we started dating, he had everything going for him. All right, ladies, listen to this. This is what I want you to be looking for. Yes, he was handsome-still is. I think so. He was charming, talented, and oh-so smart, truly. But that is not why I married him. Now, see, I want the fellas to pay attention to this. You all listening? What truly made me fall in love with Barack Obama was his character. You hear me? It was his character. It was his decency, his honesty, his compassion and conviction.
If any director offers my role to some other actor just because he can't trace me, then I think the character was never meant for me.
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