A Quote by James McAvoy

That's the main thing that attracts me - characters who have big journeys. I like playing those people. — © James McAvoy
That's the main thing that attracts me - characters who have big journeys. I like playing those people.
Playing big, heroic characters with heart is always a lot of fun. I enjoy making movies like that, and a lot of people love to live vicariously through those characters.
The main thing that attracts me to Buddhism is probably what attracts every artist to being an artist - that it's a godlike thing. You are the ultimate authority. There is no other ultimate authority.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
I like what I hear other guys doing, but the thing that really attracts me is melodic playing.
It was a big surprise for me when they asked me to bat at three. That is a big thing. I was focussed on playing the situation. You need to be open anyway if you are playing for a team like India.
Even on a large ensemble where their parts are relatively small - because having ten main characters obviously affects their screen time - the thing that attracts great actors is when there is that challenge to get some reality into something.
To me good storytelling is about journeys. It's about people's journeys, people's discoveries and how they deal with those discoveries; circumstances that put people in different situations.
An innocent person is really like a magnet and it attracts, he attracts, the people towards himself, just like a flower attracts a bee towards itself.
People said: 'You're too big to play football,' but I kept playing and it just happened that people have caught on to me and taken to me. The nicest thing I get from it is that I can be myself and people seem to like it.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
I am drawn to characters that go on journeys, characters that are real people, that have life.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
I've got deeper journeys to take. Metaphysical journeys. Journeys to see Christ. Shaman journeys. It's what I've been elected by God to do.
Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves.
What attracts me to material are characters that I know - characters that I know people don't know but I know - and bringing them to the screen. Spotlighting voices that have not been heard before on screen.
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
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