A Quote by James McAvoy
I really liked 'Starter For Ten' because I grew up watching 1980s teen films like 'St. Elmo's Fire' and 'The Breakfast Club' and I've always wanted to play the underdog lead hero in a 1980s-inspired film.
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[St. Elmo's Fire] it was pretty soon after that. I know we didn't do Breakfast Club knowing we were going to do that.
I'm a child of the '80s, so like everyone else, I love all those classic, formative movies - 'Ferris Bueller's Day Off,' 'Pretty in Pink,' 'Sixteen Candles,' 'Dirty Dancing,' etc., with 'St. Elmo's Fire' and 'The Breakfast Club' existing on a separate, slightly higher plane.
I'm a very intermediate sax player, but now that Rob Lowe is on my show, I had to cop to him. Like, 'Dude your ridiculous fake sax playing [in St. Elmo's Fire] inspired me to pick up a horn.'
I had always wanted to play a boxer, all of my life. I grew up watching great boxing films.
'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
I grew up in East St. Louis so I wanted to play baseball as a kid. Then I moved to Nebraska and became a football fan and wanted to play football. But I've always been fighting. Growing up in East St. Louis was hard. You had to fight there.
Proprietary software grew up, starting really in the 1980s, as an alternative and that became the dominant model with the rise of companies like Microsoft and Oracle and the like.
My parents had an independent theater company here in Sweden during the 1980s, so I was raised watching my parents create independently, having a lot of fun and just doing what they wanted to do. I think that idea of independence as an artist was something I was always used to. And then I entered the industry from a very commercial perspective, and things were very different then from what I grew up with.
In the mid-1980s to the early 1990s I was writing songs not because I particularly liked what I was doing, but because I was desperately trying to get back into the charts. I really didn't enjoy it. I didn't like the music I was making, I wasn't proud of it, like I have been before or since.
I grew up watching games with my father at Washington Husky Stadium. When I moved out to Seattle, I had a friend who would take me to Seahawks games in the 1980s.
I think Charlottesville was shocking for some, but it wasn't for me or for my family, I mean, because I grew up in 1980s Nashville.
I didn't really grow up watching a lot of films. I grew up in the middle of Texas in a very rural area, so we were always outside fishing or playing a sport - we were never in front of a TV watching films.
I became a Conservative in the late 1980s because I could see that the Conservative party had transformed Britain's economy and our standing in the world compared to Labour in the 1980s.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
The American preoccupation with the law, which is certainly not past, was at its zenith in 1995. The 1980s, the late 1980s, had sort of begun to percolate up to public consciousness this enormous interest in the law.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
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