A Quote by James McAvoy
I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.
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What we try to do in TSAW, which is Tasha Smith Actors Workshop, is to help the actor get to the core of who they really are and how they really feel. So, we may have them do a dump, where you just basically express everything that you feel that you have not been able to express, whether it's good, bad, or ugly.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Adult actors are really childish, and that's nice to be around when you're a kid. So the big reason I wanted to be an actor was I really enjoyed actors' company - which probably makes me about as shallow as a puddle. But it could be worse. I could be working for a living.
Adult actors are really childish, and thats nice to be around when youre a kid. So the big reason I wanted to be an actor was I really enjoyed actors company - which probably makes me about as shallow as a puddle. But it could be worse. I could be working for a living.
Actor is an odd profession, and sometimes people get jealous, but I haven't really experienced any of that. Everyone's been really happy for me, which is really, really great.
Things are changing. I've been training since I was 9 years old to stretch my wings as an actor dramatically, but have never really been afforded the opportunity to show that.
It was really cool because you can tell that she directs in a way that she wants to be spoken to, as an actress. That's really nice, and you appreciate that. Dealing with the actors was more important to her than anything else, which was really nice.
It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
I think most actors rarely get the opportunity to play something really close to you and speaks to something you deeply believe.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
It's really nice to be able to do something that you've never done. I think that's the gift of being an actor because I get to play a cop, a racist cop and I've never done that before. It's nice to inhabit these other worlds especially when you get to work with great actors.
I've really had good luck working with younger actors. Every younger actor that I have worked with has always been really on top of their game and fascinating to watch.
I really admire actors who have time, because time is really the greatest luxury for an actor to live with a character, to develop a walk and a talk, or to listen to tape if you're playing a real character. But without time you're really just forced to make quick choices and move on and hope that the spaghetti sticks against the wall.
People are really nice in the world. The majority of every single person I meet is really nice. Some people get excited, and some people freak out when they accidentally run into me, but across the board most people are really nice, so I just like to treat people how they treat me.
One of the fun things as an actor is to really spread your wings as wide as possible and do a variety of roles. I've been really lucky in that sense, I think.
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
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