A Quote by James McAvoy

I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920. — © James McAvoy
I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920.
I've seen so many period pieces in my life, I really enjoy them so much, a lot of my favorite movies are period pieces.
I find more interesting roles for women in period pieces. I do personally like watching period films; I think you can really get lost in the fantasy of them.
I get told I have a 'period' face quite often. Maybe it's the pale skin but I get a lot of pre-Forties posh roles.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.
Sometimes you can know too much. A lot of brainy people like Stephen Fry are quite depressive.
People told me, when I was coming through the ranks, that a mark of a great actor is one who deals with the period of unemployment as well as they deal with the period of employment.
People told me, when I was coming through the ranks, that a mark of a great actor is one who deals with the period of unemployment as well as they deal with the period of employment
There was a period in my life where I went out a lot and I had a really good time. But that period is over.
Nothing seems to matter quite as much. I no longer think about death in the concentrated way I once did. I don't know? you get so old and you sort of give up in some way. You've had your period of angst, your period of religious desperation, and you've arrived at a philosophical position where you don't need, or you can't bear, to look at it.
A lot of period pieces we see are adaptations of novels - we always know the story.
When I was younger, I was always being told I had a period face, but 'Bel Ami' was my first shot at it.
Someone like John would want to end the Beatle period and start the Yoko period. He wouldn't like either to interfere with the other.
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