A Quote by James McBride

I grew up in a house with a lot of kids, brothers and sisters. So I don't mind a lot of talking, yelling, playing. I can tune most of that out. — © James McBride
I grew up in a house with a lot of kids, brothers and sisters. So I don't mind a lot of talking, yelling, playing. I can tune most of that out.
I was raised with a ton of brothers and sisters where, obviously, the music running in and out of the house was very eclectic. So, I had a lot under my belt by the time I grew up. It all depends upon the mood that I'm in, the space that I'm in and what I'm feeling at that moment. But definitely!
Growing up in a house with six brothers and sisters is a lot like being on a tour bus. There's not a whole lot of private space, so you figure out how to make it work.
I grew up pretty fast because I had a lot of older brothers and sisters.
I didn't grow up with a lot of babies in my life because I only grew up with my parents - I didn't have any brothers or sisters - and I didn't have my family close by.
I didn't have any brothers or sisters, so I did a lot of stuff where I entertained myself playing games, reading a lot, a lot of fantasy novel stuff.
I grew up with a lot of brothers and I don't have any sisters, so for me it's really important to develop my sisterhood. It's something I've always coveted.
I grew up with a lot of brothers, and I don't have any sisters, so for me it's really important to develop my sisterhood. It's something I've always coveted.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
Well I think that's probably one of a few, where I grew up in the City of New York, it's got a lot of energy, my parents are Irish-American so there was a bit of yelling going on in my house but it seemed normal.
I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
I've come to realize how much it really was a part of my upbringing, the Georgia part. We were away from town. It was just dirt and trees and spouses. And a lot of kids - my cousins, who were all like brothers and sisters to me - just a lot of kids at one time.
I think about Chilean literature as a family, because I grew up reading the literature of my country. I feel like I have fathers and stepfathers and a lot of brothers and sisters and distant cousins and all that.
Make your kids go out and play. Kids ought to grow up the way you and I grew up and we grew up fifty years apart or maybe more. But we did the same things. Now who's out playing in the afternoon? Nobody.
I spend a lot of time hanging out with kids in their early twenties who feel like they've messed up and have really screwed up in a lot of ways. We spend a lot of time talking to them and saying, 'You can change that.'
I did grow up in Kenosha, Wisconsin, around a lot of my mom's family. I had a lot of cousins and aunts and uncles around me, and my sisters and my brother. Probably the most formative part of it was that we grew up on the edge of a forest. It wasn't a big forest, but it was enough. When you're a kid, it feels gigantic.
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