A Quote by James McBride

I'm not one of those deeper, ethereal writers. I'm just trying to get it done. — © James McBride
I'm not one of those deeper, ethereal writers. I'm just trying to get it done.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.
Everyone thinks I'm ethereal. But I'm not like that, you know. I'm not ethereal. Well, I might have a little bit of that quality to me, that 'old soul' thing, but I'm not ethereal.
We realize our dilemma goes deeper than shortage of time; it is basically a problem of priorities. We confess, we have left undone those things that ought to have done; and we have done those things which we ought not to have done.
I have just gained a deeper and deeper respect for acting and the whole art of it because you're really trying to live a life and to do the best justification for it.
As an English major I was familiar with the stories of dozens of writers trying to get their work done among the multifarious diversions of the world and the hurdles of their own vices. A professor had said that what saved writers is that they, like politicians, had the illusion of destiny that allowed them to overcome obstacles no matter how nominal their work.
Thousands of Ohio families are going deeper and deeper in debt just trying to pay their heating bills, fill prescriptions, and buy groceries. The current minimum wage is simply not enough.
And now, as I'm lying alone in my own bed, I keep thinking about writhing against him last night, naked and vulnerable. Even after we'd both risen and fallen, peaked and plummeted, even after Marcus was physically shrinking from inside me, I couldn't stop clutching, crying, trying. Trying to pull him deeper, deeper, deeper within. Trying to make him more a part of me than I am myself.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
You just do the best you can. It doesn't necessarily mean that you have to get worse the more you do it. It can get better, I think... aspects of it, anyway. I mean, I don't write as much as I used to. But I don't do a lot of things as much as I used to. So that's the natural order of things, too. You're more or less living in the present. You're just trying to get that next song, whatever it is. And not think too much about what happened on the last record, or the record you made 20 years ago, because those are over with. Those are done.
It's funny, you can get over the win pretty quick and get ready for the next opponent. When you lose, it just eats at you.... What could we have done? What should I have done? All those things. Just part of playing professional sports and sports in general.
What we're trying to do as writers is rescue, preserve this space of thoughtfulness of language, of a deeper and more honest appreciation of our reality. And, so, we have to work even harder as writers against this tide of silliness, against this tide of superficiality, against this horrible Greek chorus on Twitter where everyone is insulting each other and now we have an insulter-in-chief, who's risen to the presidency by insulting people.
Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.
I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'
American television is very much created by the writers, just the volume of it. The writers are so key. You're just trying to do something that serves that script. And in general, film isn't all about the script, really.
Ten years of character development affords you a lot. You get a chance to dig deeper and deeper and deeper into a person.
I'm just trying to get those marquee victories and continue to get those accomplishments so when the time comes and the vote is cast, hopefully my spot is secured in the Boxing Hall of Fame.
This site uses cookies to ensure you get the best experience. More info...
Got it!