A Quote by James Mercer
I've never gone through an audition process or anything. In most of my decisions like that, I just kind of feel it out: You know, do I feel comfortable with this person?
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I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.
I know, it's amazing, but I never feel like I have done anything. When people say that, it makes me uncomfortable because I'm not that kind of person. I just go out there and try to do my job.
I can't speak for other people, but for me, I feel like gone are the days that you need to come out of a closet. I never felt like I was in a closet. I never did. I always felt comfortable with who I am and the decisions I made.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
I don't feel like I'm out of my element or anything like that. I'm very comfortable where I'm at. I enjoy being in this position, and actually it feels like I haven't really been away from it. I feel very comfortable out there from the first tee onwards.
At 155, I kind of feel, when I'm fighting out there, I just don't feel like I have the right thinking ability. I kind of feel like my mind is foggy, if that makes sense. I don't really know how to describe it. Maybe it's the weight cut.
I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.
I always feel like, when you go into an audition, your best chance at success is to be as comfortable as you can be. It's generally more helpful for me to just be confident and comfortable.
I've never had a celebrity crush! I don't believe in those, really. I feel like you have to get to know the person before you start to feel anything like that. People always think they know celebrities, but how can you when you've never met them?
Ive never had a celebrity crush! I dont believe in those, really. I feel like you have to get to know the person before you start to feel anything like that. People always think they know celebrities, but how can you when youve never met them?
I feel like most people know that I'm a vegan, and I'm a pretty vocal animal activist. Everything and anything I do, I just kind of use it as a vehicle to be able to send out the message.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
You need to know everything and feel 100 percent safe so that you can live and breathe in a role and so that you feel comfortable taking risks and trying new things and being bold. If you don't feel comfortable, if you're in a scenario that's not conducive for that kind of environment, then that's when you don't do well.
I don't know that I feel comfortable playing a villain; as a matter of fact I probably don't feel comfortable, which is why I like it so much. It's just an opportunity to try something different.
I feel most bossy in jeans, a white t-shirt, a leather jacket and some heels. I just feel bossy that way. I also feel confident in a sick dress at a premiere. Like most women, as long as I'm comfortable in it, I feel confident.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
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