A Quote by James Mercer

I've never been one to think it was cheating to sample this or to loop the drum part there - I've always done that. Even using four-track cassette recorders, I was always doing whatever I could to make it as good as I could.
I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.
Cultivating whatever gave pleasure to my senses was always the chief business of my life; I have never found any occupation more important. Feeling that I was born for the sex opposite mine, I have always loved it and done all that I could to make myself loved by it. I have also been extravagantly fond of good food and irresistibly drawn by anything which could excite curiosity.
When I was a teenager, I got into four track recorders, drum machines, and synthesizers, and I started producing instrumental music.
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
I normally start at the computer with something really simple like a four-bar loop of a drum sample or a bass line. And then I just start adding layers of synthesizers.
I'm really just concentrating on making good music, whether it's using a sample or doing an original track.
I've always been good about interfacing with machines. But that never seemed like a gateway to being able to make music. I never made the connection that music could be made with machines - that was what drum and bass was for me.
Music has always been a huge part of my life and when I was a kid I was always throwing myself into whatever I could music-related - even if it was a little embarrassing!
After discovering the Ramones, I discovered really crude ways to multi-track by taking another cassette recorder and plugging that into the eight-track, playing it back, so that as I was recording with the mic in my guitar, I could have another cassette player I had recorded on feeding into the recording.
I'm always looking for perfection. Even after training and my coaches say I did good, I always think I could have done more.
I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better. I think that's the single best piece of advice: constantly think about how you could be doing things better and questioning yourself.
If you're always doing what you've always done, you'll never see (or become) what you could be!
I like the dark part of the night, after midnight and before four-thirty, when it's hollow, when ceilings are harder and farther away. Then I can breathe, and can think while others are sleeping, in a way can stop time, can have it so โ€“ this has always been my dream โ€“ so that while everyone else is frozen, I can work busily about them, doing whatever it is that needs to be done, like the elves who make the shoes while children sleep.
I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better.
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, "Oh, I could have done that a little bit better," or, "I could have done that differently - that riff could have been a little better."
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, 'Oh, I could have done that a little bit better,' or, 'I could have done that differently - that riff could have been a little better.'
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