A Quote by James Mercer

For the longest time, I didn't even want to admit I was serious about music. Before the Shins, I would tell myself, 'Oh, I'm going to figure something out someday.' I had this romantic vision of being this old dude maybe making guitars or something.
You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.
I have to admit, at first, it was really overwhelming and I would get stressed about putting things together. Now, it's like trying to figure out a puzzle piece, and I love that...There are so many things that I don't even know and would love to discover more about. I was so upset I had to leave [Europe] before Paris Fashion Week, but then I was like..."Oh wait, my album is coming out."
I remember being in high school, and you had to draw those lines and define yourself. I don't think when I was in high school I would have been willing to admit that I liked the Shins. I was into TSOL and Black Flag. I probably would have listened to the Shins secretly in my bedroom.
My father always said I would do something big one day.'I've got a feeling about you, John Osbourne,' he'd tell me, after he'd had a few beers.'You're either going to do something very special, or you're going to go to prison.' And he was right, my old man. I was in prison before my eighteenth birthday.
It's important for me to say something, and with wisdom if I can. I don't think there's anything wrong with just going out there and having fun and goofing around. I want to experiment with that too. But yeah, I feel like I have a responsibility to produce something hopeful, and maybe inspirational to people. When people come up to be and tell me how my music has changed their lives, that only encourages me to take it more seriously. Sometimes I get annoyed with myself for getting too serious, but that's just what I need to do.
If I'd waited to know who I was or what I was about before I started "being creative," well, I'd still be sitting around trying to figure myself out instead of making things. In my experience, it's in the act of making things and doing our work that we figure out who we are.
I had self-doubt about whether my story was interesting to people. I didn't want to write something that was anecdotal. It was important to me that people would get something out of my book. I want people to read it and say, "Now I don't feel so alone," or "I'm going to remember that next time I'm being an asshole."
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
I started to music when I was about 19 years old. Most people that do music, they get training, or they develop themselves before they let their music out. For myself, I was actually developing myself and putting my music out at the same time.
All through my life I've had this strange unaccountable feeling that something was going on in the world, something big, even sinister, and no one would tell me what it was." "No," said the old man, "that's just perfectly normal paranoia. Everyone in the Universe has that.
There's something else that makes a woman interesting, something beyond being young or being old. And I'm going to find out what that something else is before I die, I hope.
I do triage on everything that comes through the door, and if it's not something we need (now, for real-not maybe someday) or something that deserves to be saved for posterity, it's discarded. I stop before I let myself drop something into a drawer or set it down on the piano. 'Where does it belong?' I think. If I don't have a place for it, I make a place.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
I was fuzzy on the details, but I knew the basic outline. I knew how I wanted to be, it was simply a question of being who I wanted to be.I thought I had had it all figured out before. I'd had the plan perfectly clear in my head. I wasn't going to cross into thirty without the triple crown in hand: serious boyfriend, career, and great friends..It was time to accept that maybe, just maybe, I didn't have to have it all figured out by the time I turned thirty. Maybe I could just work on me, and see what else fell into place.I was pretty sure that was otherwise known as living.
I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
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