A Quote by James Merrill
Arthur Young's Reflexive Universe - fascinating but too schematic to fit into my scheme. The most I could hope for was a sense of the vocabulary and some possible images.
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He found it both sad and fascinating that only through an artificial universe of video images could she establish contact with the real world.
Any possible universe could be explained as the work of some sort of designer. Even a universe that is completely chaotic...could be supposed to have been designed by an idiot.
Truly, my dear young friends, you are a chosen generation. I hope you will never forget it. I hope you will never take it for granted. I hope there will grow in your hearts an overpowering sense of gratitude to God, who has made it possible for you to come upon the earth in this marvelous season of the world's history.
My great hope for us as young women is to start being kinder to ourselves so that we can be kinder to each other. To stop shaming ourselves and other people for things we don't know the full story on - whether someone is too fat, too skinny, too short, too tall, too loud, too quiet, too anything. There's a sense that we're all ‘too’ something, and we're all not enough.
I think I read too much Arthur Conan Doyle when I was young and got this idea that a gentleman should know a lot about one thing and plenty about most everything else.
I think I read too much Arthur Conan Doyle when I was young, and got this idea that a gentleman should know a lot about one thing and plenty about most everything else.
A practical scheme, says Oscar Wilde, is either one already in existence, or a scheme that could be carried out under the existing conditions; but it is exactly the existing conditions that one objects to, and any scheme that could accept these conditions is wrong and foolish.
Even if we're in a state of hopelessness, a sense of expectation is an integral part of our relationship to time. Hopelessness is possible only because we do hope that some good, loving someone could come. If that's what Heidegger meant, then I agree with him.
I'm interested in complexity, in the mathematical sense, as well as the idiomatic sense. The idea of emergence - that it's possible for complex patterns to arise out of many simple interactions - is fascinating.
Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.
I have a sense of them being Easter religions, for some reason. Christianity, of course, is a mystery religion, too, and I believe that Arthur Machen was one of those especially interested in the link between the pagan mysteries and the Christian ones. So, my experience was also a Machenesque experience.
As photographers, we have to find our own identity, our own voice, our own vocabulary. And my question all the time is whether this vocabulary is limited, like our own vocabulary that goes from A to Zed, or whether this vocabulary can carry on growing. And to me, I hope that it carries on growing.
Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-classparents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement--a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.
From this new point of view, the universe I had inhabited became an object I could perceive in its entirety. It was a hypersphere embedded in a cloud of alternative states - the sum of all possible quantum trajectories from the big bang to the decay of matter. "Reality" - history as we had known or inferred it - was only the most likely of these possible trajectories. There were countless others, real in a different sense: a vast but finite set of paths not taken, a ghostly forest of quantum alternatives, the shores of an unknown sea.
I think being a teenager is such a compelling time period in your life--it gives you some of your worst scars and some of your most exhilarating moments. It's a fascinating place; old enough to feel truly adult, old enough to make decisions that affect the rest of your life, old enough to fall in love, yet, at the same time too young (in most cases) to be free to make a lot of those decisions without someone else's approval.
When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some obviously bad decisions about who I hung out with and the things that I did.
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