A Quote by James Murphy

I don't write off silly pop people at all, because you never know where they're coming from. — © James Murphy
I don't write off silly pop people at all, because you never know where they're coming from.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
People always say I write a lot of pop culture references. Can somebody please count the pop culture references in 'Firefly?' Because I don't know how to put this to you, but there was one. I referenced The Beatles in the pilot.
Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
When an artist becomes pop, it's because the people choose it. Yes, you can have that dream to be a big pop star, but it's the audience that puts you in that position. I never had a paid marketing campaign, it was never like that.
There are also always those burnt, hard kernels at the bottom that don't pop. You know why they don't pop? They don't pop because they have integrity.
I think people take Blink-128 more seriously now than they did before. And it's largely our fault because we called our records Enema of the State and Take Off Your Pants and Jacket. We were always kind of the underdogs, especially critically. People wrote us off as this joke band. But the people who listened to Blink knew that we were silly and whatever, but we wrote songs about divorce and suicide and depression. Those kids that were listening to Blink are now the ones that control all these outlets that used to just write us off.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.
I came on the intro with 'The Rapture.' If you know what the rapture is, it's the coming of Jesus, and I had to take it off because of what happened...I had the destruction, the bombs, and...the world coming to a end, so it had to come off.
When I'm joking around, I'll say I'm a pop star, because it's silly.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
I think K-Pop is something that sucks people in because it's open. I can do pop, EDM, rock, R&B and it doesn't matter, K-Pop embraces them all.
You're never gonna outwrite the movement of the white clouds and the blue sky. You're never going to. There are times when I try to write beautifully, but I don't know if I'm trying to exorcise my own demons. If I am, there are other ones lurking beneath, because they keep coming out. Maybe little by little I'm fumigating.
I never stay with people and I never look people up when I travel. I depend more on just chance meetings. The advantage is that people don't know who I am. I meet people casually and they're not doing me a big favor because I'm going to write something.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
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