A Quote by James Nachtwey
If you make an honest picture of war, it will be an antiwar photograph.
Related Quotes
Mother’s Day really was in its origin an antiwar day, an antiwar statement. Julia Ward Howe was sickened by what had happened during the Civil War, the loss of life, the carnage, and she created Mother’s Day as a call for women all over the world to come together and create ways of protesting war, of making a kind of alternate government that could finally do away with war as an acceptable way of solving conflict.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
When a person looks at a photograph you've taken, they will always think of themselves, their own life experience. They will relate your photograph to their memories. That interplay is where a picture comes alive and grows into something. They function like invitations.
Newspaper photographs nowadays are highly tautologous. You'll have an article about, say, stopping the war. And the photograph that will be used is literally a poster that reads "Stop The War." Or you'll have a story about a cash crisis in Barcelona, and the only picture you'll see is an ATM in Barcelona. The problem is actually systemic. On the one hand, you'll have a picture of a soda can to "illustrate" an article about the dangers of sugary drinks. On the other hand, anything that's reasonable in documentary photography is snapped up by the art world and we never see it.
A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
In the 1960s, there was a point, 1968, '69, when there was a very strong antiwar movement against the war in Vietnam. But it's worth remembering that the war in Vietnam started - an outright war started in 1962.
Usually I think if there is something imperfect in a photograph it makes the picture more real. Photographs that are slick, smooth, and imperfect seem less honest to me.
If you finish like a photograph, on the other hand, the picture has as much personality as a photograph.
A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.
Perishability in a photograph is important in a picture. If a photograph looks perishable we say, "Gee, I'm glad I have that moment."
Dialectical thought is related to vulgar thinking in the same way that a motion picture is related to a still photograph. The motion picture does not outlaw the still photograph but combines a series of them according to the laws of motion.
You can talk about a caption underneath a photograph being true or false, because there is a linguistic element. You can claim that a photograph is a picture of a horse or a cow, but it is the sentence that expresses the claim, which is true or false, not the photograph.
About shadows: do we see shadows? Loads of people don't. A camera will notice a shadow, but how many people have got a shadow in front of them when they take a picture and don't notice it, and then they see it in the photograph because the photograph will catch the shadow.
A photograph is a photograph, a picture, an image, an illusion complete within itself, depending neither on words, reproductive processes or anything else for its life, its reason for being.
I don't think the American people had a clear picture of either Nixon or me. I think they thought that Nixon was a strong, decisive, tough-minded guy and that I was an idealist and antiwar guy who might not attach enough significance to the security of the country. The truth is, I was the guy with the war record, and my opposition to Vietnam was because I was interested in the nation's well-being.
Related Authors
Amanda de Cadenet Quotes
English
Photographer
Annie Leibovitz Quotes
American
Photographer
Ansel Adams Quotes
American
Photographer
David Bailey Quotes
English
Photographer
David LaChapelle Quotes
American
Photographer
Elliott Erwitt Quotes
French
Photographer
Garry Winogrand Quotes
American
Photographer
Henri Cartier-Bresson Quotes
French
Photographer
Jay Maisel Quotes
American
Photographer
Lynsey Addario Quotes
American
Photographer
Martin Parr Quotes
British
Photographer
Mary Ellen Mark Quotes
American
Photographer
Nan Goldin Quotes
American
Photographer
Robert Adams Quotes
American
Photographer
Sally Mann Quotes
American
Photographer
Sam Abell Quotes
American
Photographer