A Quote by James Nachtwey

Photography can be perceived as the opposite of war. — © James Nachtwey
Photography can be perceived as the opposite of war.
For me, the strength of photography lies in its ability to evoke humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war.
Fashion is the opposite of the real, its worst enemy. Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.
The biggest way to say, philosophically, you'll never be part of a war is to look completely the opposite of anyone in a war.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
Warsaw's historic heart was deliberately almost entirely destroyed towards the end of the Second World War by the German occupying troops. After the war, it was painstakingly rebuilt and that reconstruction is perceived as expressing the nation's determination to survive, to conserve its history and its culture.
Computer photography won't be photography as we know it. I think photography will always be chemical.
Except when you're marching to war, it's not a very optimistic thought, is it? In other words, it's the opposite of optimistic when you're thinking you're going to war.
We have thought of peace as the passive and war as the active way of living. The opposite is true. War is not the most strenuous life. It is a kind of rest-cure compared to the task of reconciling our differences.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
Because I know war... because I know the horror, I don't want to add to it. .........After the war, we felt the need to celebrate life, and for me photography was the means to achieve this.
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