A Quote by James Nachtwey
For me, the strength of photography lies in its ability to evoke humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war.
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Photography can be perceived as the opposite of war.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
A society that admits misery, a humanity that admits war, seem to me an inferior society and a debased humanity; it is a higher society and a more elevated humanity at which I am aiming - a society without kings, a humanity without barriers.
That is the explanation of war, an outrage by humanity upon humanity in despite of humanity.
From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
Nature is typified by strength; humanity by weakness. Nature adheres to an immutable order; humanity to an ever-increasing chaos. Nature recognizes no equality at any level of it's order; humanity preaches an all-prevasive equality and freely hands-out unearned "rights" in an attempt to make its doctrine a living reality. In short: humanity is Democratic, nature is Fascist.
What has happened here [aftermath of 9/11] is not war in its traditional sense. This is clearly a crime against humanity. War crimes are crimes which happen in war time. There is a confusion there. This is a crime against humanity because it is deliberate and intentional killing of large numbers of civilians for political or other purposes. That is not tolerable under the international systems. And it should be prosecuted pursuant to the existing laws.
The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.
When I read War and Peace in Norway, really far away from humanity for a long time, it was such an amazing, affirming blast of "humanity" in all forms. It totally cracked my mind-nut open and rainbows shot out. I loved humanity and being alive, rather than wanting to bury my head in the snow.
Peace is the whole truth that wishes to enrapture humanity. War is the whole falsehood that wants to capture humanity. Peace begins in the soul and ends in the heart. War begins in the mind and ends in the body.
The concept of humanity is an especially useful ideological instrument of imperialist expansion, and in its ethical-humanitarian form it is a specific vehicle of economic imperialism. Here one is reminded of a somewhat modified expression of Proudhon’s: whoever invokes humanity wants to cheat. To confiscate the word humanity, to invoke and monopolize such a term probably has certain incalculable effects, such as denying the enemy the quality of being human and declaring him to be an outlaw of humanity; and a war can thereby be driven to the most extreme inhumanity.
For me going to war offers me the ability to write about apparently very alien, sometimes hated or despised people, who've been objectified in a way that restores their humanity. Hopefully for my readers, that denies them the ability to objectify them. I think that's the point. If you can do that, that's a good thing.
Because I know war... because I know the horror, I don't want to add to it. .........After the war, we felt the need to celebrate life, and for me photography was the means to achieve this.
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