A Quote by James Nachtwey

If I'm feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer. — © James Nachtwey
If I'm feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
If Im feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
I have been through the stages of disbelief and shock, to anger and ultimately grief over the loss of the family I so badly wanted for my children.
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought feeling after feeling action after action had H. for their object. Now their target is gone. I keep on through habit fitting an harrow to the string then I remember and have to lay the bow down. So many roads lead through to H. I set out on one of them. But now there's an impassable frontier-post across it. So many roads once now so many culs de sac.
I think there's such disgust and frustration because of Trump that people see me as the vessel for that frustration. They see me as the person who can give voice to what they're feeling.
My heart burnt within me with indignation and grief; we could think of nothing else. All night long we had only snatches of sleep, waking up perpetually to the sense of a great shock and grief. Every one is feeling the same. I never knew so universal a feeling.
The world is full of tragedy; and sympathy, a little common sympathy, can do so much to soften the worst of grief. It is for the lack of that, that people despair and go down.
Sympathy has to be the first and foremost thing in one's life, sympathy and the feeling of oneness. There cannot be anything greater than the feeling of oneness .
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I think grief is a step towards strength because it allows you to be porous and take everything in, and have it transform you. What will sit within you is despairing, but at least it's feeling. You're not numb. Grief is sort of the allowance of feeling.
It's not easy for me as a writer to suspend my disbelief in a fantastical zone. I can do it. But it's more natural for me to write stories that are comic. Or hopefully comic.
For me, what I do is an artistic expression which is channeled through me. Fashion is just the medium.
As the character changes in the movie, it rubs off on the viewer, so the viewer also goes through that change.
There is a level of grief so deep that it stops resembling grief at all. The pain becomes so severe that the body can no longer feel it. The grief cauterizes itself, scars over, prevents inflated feeling. Such numbness is a kind of mercy.
There is a feeling of disbelief that comes over you, that takes over, and you kind of go through the motions. You do what you're supposed to do, but in fact you're not there at all.
I tried to avoid anything that caused me frustration or grief or duress. I played FarmVille and procrastinated like all teenagers.
He is no longer mine to lose, but the grief is there, a gnawing sense of disbelief.
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