A Quote by James Nesbitt
Like the character I played in Jekyll, we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
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Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
I often think that the ideal of our perfection that we set up, and often go through torture to achieve, may not be God's idea of how He wants us to be at all. That may be something quite different that we never would have thought of, and what seems like a failure to us may really be something bringing us closer to His will for us.
Something that has always attracted me to even taking on the occupation of actor is the idea that I could be lucky enough to portray different characterizations from different places in the world, whether it's speaking another language or taking on a dialect and building a history from where they were born. I was very attracted to that concept, in becoming an actor.
It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
Just like there are different roads that lead to different places, so there are different levels of awareness that lead to different places and we shift in and out of them. These are the ten thousand states of mind that we study in Zen.
I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.
My parents put me in the water very early, and also had me skiing at a very early age. They put me on skis when I was one and a half. I was fortunate to have parents who understood the importance of exposing their kids to different sports, different cultures and different activities in order to discover what we liked and what we didn't like. They didn't push us, they just gave us many things to choose from.
The understanding that we reach a point where we stop becoming something and start ending as something. That comes at different times in different points in different people's lives, and obviously there are lots of people who experience the presence of death much more keenly and much earlier than I did. But we all come to grips with it eventually.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
I think the great thing about grandparents is seeing another home, realising that people you love can have different priorities, different diversions, different opinions and lead quite different lives from the ones you see every day, and that is immensely valuable.
I just try to put myself in the sense of being a character, sometimes male. I suppose I just like the idea of trying to be different people coming from all kinds of different angles. Most of it was just from my imagination.
I'm continually wrestling with the idea that there are certain things in this world that simply don't fit. The idea that I have this longing for beauty and truth, and yet I'm also attracted to things that are very dark the lies that exist within me and outside of me.
Any child may go through periods during which they become less outspoken with their parents or teachers. But girls, like boys, live in many different worlds - they have their friends and their classroom and their parents - and within these different domains, they may have different levels of expressiveness.
The first idea of Captain Fantastic was a pretty radically different one. The genesis had to do with parenting and questions about parenthood and fatherhood specifically. I have two kids and I was grappling with what my values were and what I wanted to pass to my children. So I was positing different kinds of parents and different ways of parenting. I played with various ideas - very permissive parenting, very restrictive parenting and then I came up with the character of Viggo Mortensen, and much of it was aspirational, some of it was autobiographical.
Every film's different; every story is so different. But I think I've always been attracted to try to take something minimal and to maximize it cinematically. To find out if I can I really go all the way with one idea.
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