A Quote by James Nesbitt
I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.
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I did the underground scene growing up. I lived in Albany, New York so I'd go see Stigmata, Hatebreed, Murphy's Law so I was in that whole scene.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
You want to beat Peter?" she asked "No," he answered "Beat the buggers. Then come home and see who notices Peter Wiggen anymore. Look him in the eye when all the world loves and reveres you. That'll be defeat in his eyes, Ender, thats how you win" "You don't understand" he said "Yes i do" "No you don't. I don't want to beat Peter" "Then what do you want?" "I want him to love me
When I head into the cage for an MMA fight, for that time inside the cage, I hate the person standing across the cage. I want to beat him up and beat him up to the point where he never wants to go against me again. After the fight, I can shake his hands, and he - we can be best friends. It's the same thing in professional wrestling.
And so I beat him and beat him until he kissed me. And then I kept on beating him until he did it properly.
It would be a dream come true to end Manny's career, just like I ended Erik Morales' career. It would be that same type of feeling. Pacquiao is a global superstar, and once I beat him, I'll be the new pay-per-view superstar.
Before, early in my career, it was always just go out there and beat the next guy up. Whoever they put in front of me,just go beat him up. Everything else would take care of itself. You want more money? Go beat the next guy up, it will take care of itself. You want better sponsors? Go beat the next guy, it will take care of itself.
When you look at Michael Jackson, there's nobody who loves him in that family, nobody. If they did, they'd tell him he didn't have to do all that in order to be famous. All he has to do is keep doing his music and be himself. Michael's been a little touched for about 20 years, but somebody needs to pull him aside and tell him they love him.
He had to think he was Michael Wayland’s son, or the Lightwoods would not have protected him as they did. It was Michael they owed a debt to, not me. It was on Michael’s account that they loved him, not mine.” “Maybe they loved him on his own account,” said Clary.
Someone stole my bicycle and I said I was going to learn to fight so that I could catch him and beat him up. But I never did catch him. But I ended up the champ of the whole world.
I'm obsessed with Michael Fassbender. He's unbelievable. I think he's a modern day Brando. Every movie that he's done in the past couple years, I just died for him. He's extremely fascinating.
The only episode which was completely my idea was for Mitch Pileggi, the actor who portrays Skinner, the Assistant Director of the FBI. He appears often in the series, but only for a few scenes. You know virtually nothing about him. I wanted him to have an episode that was his alone, so I wrote Avatar for him. He even has a scene that's pretty . . . hot [knowing smile]. He was very happy.
I could have brought Kevin Kelley to my own backyard and beat him up there. But I didn't want to do that. I wanted to come to his own backyard and bring him down in front of his own crowd, a place he loves.
I don't want to lose ever. I don't want to lose at anything. I want to make weight faster than the guy that I'm fighting if we both go into the sauna at the same time. When we're doing interviews I want to have quicker wit so that I can make him feel stupid. I want to drink my water faster. And then when we get in the cage I want to beat him up. I don't think people really truly understand the extent that I go to try not to use.
I remember the first time I saw Robert De Niro at a party. I didn't want to run over and shake his hand. I wanted to admire him from a distance. Later, I ended up making a movie with him, and that was fantastic.
When I worked with Chevy Chase, Michael Ritchie would say, "Just ad lib and try to break me up. Just insult me. Anything." When we were doing his close-up, or when my back was to the camera, I would come up with jokes or quips or anything, to get a real reaction out of him. He was smart enough to know that was gold. So it was great fun working with him and Michael, and getting to see how the two worked together. I think Fletch and Clark Griswold were Chevy's two best roles. He's so incredibly talented and still vastly underused.
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