A Quote by James Newton Howard
I work independently of the director, and to some extent, that's actually a big relief to them. When I come to them in post-production, they're tired and over-budget. What can be better to them than presenting a full score totally gift-wrapped?
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Coolidge cut the budget, and even better, cut it during peace and prosperity. He left a federal budget lower than the one that greeted him when he arrived in office. He managed to freeze or cut the budget over more than five years in office. If you look at charts of presidents - Nixon, Ike, and Reagan - you see them failing on this score.
The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than I've ever seen them before.
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
Of my three daughters and one daughter-in-law, they all work. They all work, some of them full-time, some of them part-time. But they're still there as moms. And when they come home and take over that responsibility, they need a shared partner, and that partner is that partner for life. And I'm talking about, of course, the father.
The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.
The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I'm sick and tired of this stuff. I'm sick of them doing it. I'm sick and tired of it working. I'm sick and tired of the media carrying the ball and running with it. I'm sick and tired of the assumption. We've gotten to the point where [Donald] Trump was actually talking about a serious problem that not everybody faces. The idea that some people don't face this, he is being accused of being insensitive and he's actually talking about how the VA has let those people down and we need to have a program of improvement where we deal with this a little bit better than we have been.
My pride and identity is wrapped up in my big trips. But I can't always be on one - I need to plan them and fund them, and I want some semblance of a normal life too.
I like how steady the work in television is. Films, they're hard to come by. They're elusive. I've done a couple, independently financed. You do them, and maybe a few people will see them.
Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
And now, as a germination of planetary dimensions, comes the thinking layer which over its full extent develops and intertwines its fibres, not to confuse and neutralise them but to reinforce them in the living unity of a single tissue.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
I've seen a fair amount of concert DVDs - some of them are great, some of them are not. If there are problems with them, it's usually because of budget limitations and camerawork.
You can say anything with a Post-It. I’m not entirely sure why that is. Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page. And they come in cheerful colors. Non-white paper is kind of inherently festive. Or maybe paper that sticks feels more important than paper that can blow away. (Though you can move them, if you need to put them somewhere else.) They might not be as lasting as words carved in stone, but Post-It thoughts will stay. For awhile, at least.
I can think of few better ways to introduce a child to books than to let her stack them, upend them, rearrange them, and get her fingerprints all over them.
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