A Quote by James Newton Howard
The first 'Hunger Games' movie was one of those rare films to combine epic storyline, memorable characters and challenging musical opportunities.
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Once we start seeing video games that have more memorable characters, you'll see better movie adaptations.
If you tried to make a 'Game of Thrones' movie, you'd have to eliminate two-thirds of the characters, and there'd have to be one storyline, but on TV, you can really get to know the characters in a way that there just isn't time to do in a movie.
ELANTRIS is a new BEN HUR for the fantasy genre, with a sweeping, epic storyline and closely personal characters.
I wasn't going to make a slick, glossy over-produced piece of entertainment because then I would be doing what the Capitol did. Then I'm actually putting on the Hunger Games and not making a movie of the 'Hunger Games.'
In the greed-is-good tradition of the 'Harry Potter' and 'Twilight' movie franchises, the overseers of 'The Hunger Games' have split the last book into two films.
Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.
The Hunger Games has epic spectacle, yearning romance and suspense that won't quit!
I believe, you know, as history unfolds, certain films will disappear, and certain ones will stand the test of time. And you never know which ones those are. And you've just got to go for the opportunities of films you think might be memorable.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.
My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.
My freshman year of college, 'The Hunger Games' movie adaptation came out, and I was really excited about it. This was maybe 2011. I loved it, but there was a lot of hateful backlash against the black characters in the film.
The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring. I get that mainly from novels and that style of writing or movies where there's multiple characters who carry the storyline.
Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it. ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster."
The games after 'Five Nights at Freddy's 3' will not exist in the movie universe. Like it or hate it, I felt that this was the best portion of the storyline to really focus in on.
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