A Quote by James Norton

I love, when I'm on holiday in cities, going into church and feeling that reverence and that kind of automatic respect: the sort of magic which exists in those kind of religious temples.
The religious geniuses of all ages have been distinguished by this kind of religious feeling, which knows no dogma and no God conceived in man's image; so that there can be no church whose central teachings are based on it. Hence it is precisely among the heretics of every age that we find men who were filled with this highest kind of religious feeling and were in many cases regarded by their contemporaries as atheists, sometimes also as saints. Looked at in this light, men like Democritus, Francis of Assisi, and Spinoza are closely akin to one another.
Our merriment must be of that kind (and it is, in fact, the merriest kind) which exists between people who have, from the outset, taken each other seriously - no flippancy, no superiority, no presumption. And our charity must be a real and costly love, with deep feeling for the sins in spite of which we love the sinner - no mere tolerance or indulgence which parodies love as flippancy parodies merriment.
The night swelled with magic; not the beneficent kind of love-magic that sweeps couples away, but the kind of magic that rips and tears, the enchantment that creeps out of the woods and pounces.
What terrible questions we are learning to ask! The former men believed in magic, by which temples, cities, and men were swallowed up, and all trace of them gone. We are coming on the secret of a magic which sweeps out of men's minds all vestige of theism and beliefs which they and their fathers held and were framed upon.
Once a film is made and it exists, someone somewhere is going to watch it and that is kind of the magic of it all.
I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
There are several kinds of love. One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you — of kindness and consideration and respect — not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had.
So I really love this very difficult feeling of being completely out at sea. I don't know what I'm doing, and I kind of like this feeling. So I think for the moment, I'm going to continue to try and nail film down in some sort of shape where I'm happy with it.
When I was at University I had a sort of fear about going to the gym and that kind of blokeish environment, which was rooted in a feeling of total inadequacy, which is what fear is.
You have to take in the whole picture, and ask, "What is it you want? What kind of world do you want?" So, I have drawings of different cities. Those cities have an end goal; they're not just cities. The end goal of those cities is to make things relevant to people that they respond to. There's no other way.
In every true searcher of Nature there is a kind of religious reverence.
I respect Chris Carrabba as a songwriter and I also respect his past. He's got this fierce, straight edge, kind of hardcore core. There's so many songs that people are connected to and they all came together in a kind of DIY way, which I really do respect.
Every Christian church has tried to impose a code of morals of some kind for which it has claimed divine sanction. As these codes have always been opposed to those of the gospels a loophole has been left for moral progress such as hardly exists in other religions.
Let us not live a life … that would bring regret. … It is not going to matter very much how much money you made, what kind of a house you lived in, what kind of a car you drove, the size of your bank account—any of those things. What is going to matter is that dear woman who has walked with you side by side as your companion through all of the years of life and those children and grandchildren and great-grandchildren and their faithfulness and their looking to you … with respect and love and deference and kindness.
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
I like to think of myself as the people's pop star a little bit. I respect Lady Gaga so much, and I love what she does, but she has this kind of mysterious, out-of-reach thing. I'm just not that - as much as I'd love to have that sort of mystique, I think I'm kind of an open book.
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