A Quote by James P. Gorman
I have a direct way of speaking. What I do is tend to lay out everything; I tend to tell people what I'm going to do and how I'm going to do it and what is success for us and what's not... without being too parochial about it, I think Aussies are more direct.
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When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
I tell you how I feel and how we're going to solve it. That's my unique personality and that's how I carry myself. It is different from most people, but when something comes out of your mouth, people tend to listen more.
But successful investors tend to be not too self-destructive. They tend to be patient, they tend not to follow the crowd, and they tend not to be too guilty about winning.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
You're thinking about the physical consequences about what you're writing if you're going to direct it. If you're not going to direct it, then it's somebody else's problem, and they'll solve it.
Mothers tend to be more direct. Fathers talk to other fathers about their kids more metaphorically. It's a different way of communication.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Donald Trump foreign policy speech got good reviews, and it says we're going to defeat the people who are direct threats to us, but we're going to be a lot more cautious about getting involved in long-term, Wilsonian adventures.
We tend to assume that we have a baseline of speech that's going to be normal in all contexts, but the truth is, we all change our ways of speaking depending on who we're talking to. And so I think it's kind of a gesture of politeness to the people you're speaking to to try to say something in their own idiom.
I have observed that male writers tend to get asked what they think and women what they feel," she says. "In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them. The interviews much more seldom engage with the woman as a serious thinker, a philosopher, as a person with preoccupations that are going to sustain them for their lifetime.
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
It is important to eliminate the stigma created by American imperialism and its allies regarding the Cuban political system. That stigma must be eliminated. You may think that there are no direct elections in Cuba. I am going to tell that they are direct and you can compare our process with any other country including the United States.
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