A Quote by James Patterson

When I write I pretend I'm telling a story to someone in the room and I don't want them to get up until I'm finished. — © James Patterson
When I write I pretend I'm telling a story to someone in the room and I don't want them to get up until I'm finished.
I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.
I have to write the story I want to write. I never wrote them with a focus group of 8-year-olds in mind. I have to continue telling the story the way I want to tell it.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
I'm into lately being a little less precious about writing and being like, "Okay, what if I just locked myself in my room, pretend that there's someone outside with a gun that's saying, 'Don't come out until you write something.'"
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
I don't want my kids to grow up with no father like I did. I came to the conclusion a while ago that you can work until midnight and not be finished or you can work until 6 or 7 and not be finished. I decided I'd rather work until 6 or 7.
If it's a story I'm telling, then I have control over the ending... But if it's a story, even in my head, I must be telling it to someone. You don't tell a story only to yourself. There's always someone else. Even when there is no one.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
When you write a business fable, people get caught up in the story and don't get judgmental about what you're teaching them. If you're teaching a bunch of concepts, people get skeptical and say, 'Where'd you get that research?' But if you tell them a story, they get caught up in it while they learn.
I need to write in a small room - the smaller the better. I can't write in a big room where someone might sneak up behind my back.
All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won’t be the truth: it will be a story. And nothing is more telling than a story.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
I begin early in the morning and edit everything I wrote the previous day. I write until mid-afternoon. My goal is to write a chapter per week, and if I am not finished by Friday, I write on the weekend. I get a lot of fan emails and answer them every day. In the late afternoon, I attend to the business of publishing, etc.
Who doesn't want to be loved? That's the whole point. So, when you can get that from someone across the globe, for just telling a story, that's a special thing.
Even if you need, and want, a second opinion, it can be dangerous to have people telling you what they think you ought to add, or cut, before you've even finished telling your story. One loses heart; one loses energy and interest. Or at least I do.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
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