A Quote by James Patterson
Blood City III: The Massacre. I'd read the summary of it online, and frankly, it sounded like the directors had just decided to film my life.
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I don't think many people have ever read the report. Who has read 26 volumes of this case? How many read the summary? If you read the summary, it takes a long time.
It's always fun to get to do independent film because I believe that that's the life blood of film. It's about writers and directors who truly have their own vision, and that's hard.
Some people demand a five-line capsule summary. Something you'd read in a magazine. They want you to say, 'This is the story of the duality of man and the duplicity of governments.' I hear people try to do it -- give the five-line summary -- but if a film has any substance or subtlety, whatever you say is never complete, it's usually wrong, and it's necessarily simplistic: truth is too multifaceted to be contained in a five-line summary. If the work is good, what you say about it is usually irrelevant.
I don't know about living on an automatic pilot, but I've had times where I've decided to just test myself and my mettle, and for no good reason other than it's what life is. Even before I was acting, I had, like, one day in high school I decided to just show them my pajamas, just for no good reason.
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
When I was an undergraduate in Film & TV at NYU/Tisch School of the Arts, most of the projects I shot had male directors, and only a few had female directors.
When I initially moved to the city, I had to stay in hotels for almost two years. I was fed up of that life, and it was then that I decided that I wanted a home in the city, so I shifted base permanently.
Favourite directors change, like favorite authors. I had a passion for Gide and Stein and Faulkner. But now they're no use to me anymore. I've assimilated them - so, enough, they are a closed chapter. This also applies to film directors.
Just like the Internet disrupted the publishing industry, we're going to see Bitcoin micropayments creating some very interesting opportunities for pay-as-you-go, pay-based-on-time online businesses and, frankly, some risks as well to the traditional business model as to how things get sold online.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
Magnus stood up and went to the window. He pushed the curtain back, letting in just enough light to silhouette his hawklike profile. "Blood," he said, half to himself. "I had a dream two nights ago. I saw a city all of blood, with towers made of bone, and blood ran in the streets like water." Simon slewed his eyes over to Jace. "Is standing by the window muttering about blood something he does all the time?" "No," said Jace, "sometimes he sits on the couch and does it.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
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