A Quote by James Patterson
Witihin seconds the headhunter had lost control of his car and it squealed, sliding sideways right into several other cars. Cool!' said the Gasman.
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But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
The paranoid one's wards are still active. They keep me several feet from the building." "But not his car," I said, a smile tugging at my lips. Barrons would go nuts if he knew that V'lane had touched his Viper. And stretched out on it nude? He'd have an aneurysm.
The biggest shock when I lost it all was the realization that so much of my life had been out of my control. When I started to make the money back, I vowed that it would never happen again. I bought things only when I could afford them. There was no big mortgage, no cars on hire purchase. I remember buying a TR6 sports car for £6,000, and funnily enough it gave me more pleasure than the Porsche ever had.
Nowhere in politics is there such a mismatch between public and private realm as in transport. Everyone on the M6 last weekend would have agreed with Transport Minister Alasdair Darling's reported hatred of cars. They too wanted drivers off the roads and on to public transport. Go to it, Mr Darling, they cried in unison, get rid of all those cars. Except, of course, their own. Other people's cars are traffic. My car is the outward essence of my being. It is my hat, stick and cane. It embodies my freedom as a citizen and my right as a democrat. My car is my soul in flight.
Fate" Eve said with a sigh "I'm not sure fate had to burn up your car to get the point across," Shane said, buckling his own seatbelt. "No, not that. The hearse. I'm going to name it Fate." Shane stared at Eve for a long, long few seconds, then slowly shook his head. "Have you considered medication, or-" She flipped him off. "Ah. Back to normal. Excellent.
One time he (Cool Papa Bell) hit a line drive right past my ear. I turned around and saw the ball hit his ass sliding into second.
My wife had a go at me last night. She said, Youll drive me to my grave. I had the car out in thirty seconds.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
It’s what non-car people don’t get. They see all cars as just a ton and a half, two tons of wires, glass, metal, and rubber, and that’s all they see. People like you or I know we have an unshakable belief that cars are living entities… You can develop a relationship with a car and that’s what non-car people don’t get… When something has foibles and won’t handle properly, that gives it a particularly human quality because it makes mistakes, and that’s how you can build a relationship with a car that other people won’t get.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
A car crossed two lanes of traffic, flipped, and landed on my dad's car. I don't blame cars. My dad loved cars. I don't have many memories of my dad. The love of cars is all I have of him, really.
Starting in the 1970s, American cars started to lose market share to foreign cars. It was clear what was happening - these better-made foreign car companies were encroaching on the U.S., and the U.S. car makers had less than half of their own country's market.
I was lucky enough to see with my own eyes the recent stock-market crash, where they lost several million dollars, a rabble of dead money that went sliding off into the sea.
He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.
Shouldn't that be flipped right-side up?" I asked. "No," she said, eyes on the cards. After several moments of heavy silence, said, "You will destroy that which is undead." I waited about thirty seconds for her to continue, but she didn't. "Wait, that's it?" She nodded. "That's what the cards say to me.
After about midday my dad sent cars from his private collection for us. We were told to get in. We had almost lost contact with my father and brothers because things had got out of hand. I saw with my own eyes the [Iraqi] army withdrawing and the terrified faces of the Iraqi soldiers who, unfortunately, were running away and looking around them. Missiles were falling on my left and my right - they were not more than fifty or one hundred metres away. We moved in small cars. I had a gun between my feet just in case.
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