A Quote by James Patterson
My life would never contain a convenient, pain-saving plan when it could stretch a problem out into an endless agony of uncertainty and torture.
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I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
perfectionism is a slow death. if everything were to turn out just like i would want it to, just like i would plan for it to, then i would never experience anything new; my life would be an endless repetition of stale successes. when i make a mistake i experience something unexpected.... when i have listened to my mistakes i have grown.
The only way to be a champion is by going through these forced reps and the torture and pain. That's way I call it the torture routine. Because it's like forced torture. Torturing my body. What helps me is to think of this pain as pleasure. Pain makes me grow. Growing is what I want. Therefore, for me pain is pleasure. And so when I am experiencing pain I'm in heaven. It's great. People suggest this is masochistic. But they're wrong. I like pain for a particular reason. I don't like needle's stuck in my arm. But I do like the pain that is necessary to be a champion.
Whether we eat, sleep, work, play, whatever we do life contains dissatisfaction, pain. If we enjoy pleasure, we are afraid to lose it; we strive for more and more pleasure or try to contain it. If we suffer pain we want to escape it. We experience dissatisfaction all the time. All activities contain dissatisfaction or pain, continuously.
I think the most important thing to remember is that pain passes. And artistically, the pain is going to pass. It's what you want to express out of the pain as opposed to indulging in the agony-and-pain mantra of songwriting that became such a hit in the '90s and still, all the way up to now.
I believe much of the pain of a breakup comes from having a life plan that you have fallen in love with. When it does not work out, you become angry that you now have to pursue a new life plan.
The exit from agony is always there. The tunnel out of the agony sector is always in front of you and yet you don't take it. You don't take it by choice. You want to indulge a lot and be in pain. The easiest way out is to write a list of what you're grateful for. If everybody literally did that before they went to bed at night, there'd be no unhappy people.
So when we call pain a problem, we claim we do not deserve it. We are even prepared to scuttle God to maintain our own innocence. We will say that God is not able to do what He would like, or He would never permit persons such as ourselves to suffer. That puffs up our egos and soothes our griefs at the same time. "How could God do this to me?" is at once an admission of pain and a soporific for it. It reduces our personal grief by eradicating the deity. Drastic medicine, indeed, that only a human ego, run wild, could possibly imagine.
. . . it is interesting to note that the original problem that started my research is still outstanding - namely the problem of planning or scheduling dynamically over time, particularly planning dynamically under uncertainty. If such a problem could be successfully solved it could eventually through better planning contribute to the well-being and stability of the world.
The pain was so deep and so raw. There were days I would have died just to forget. The problem was, I couldn't figure out how to get her out of my mind. How do you kill that kind of pain?
I could have easily never worked again after 'Precious.' I could be back at my receptionist job and no one would be surprised, but I'm having a very crazy little career that no one thought would happen. Although that was never the plan.
Anything, anything would be better than this agony of mind, this creeping pain that gnaws and fumbles and caresses one and never hurts quite enough.
'Blueprint 3' is made up of songs, but it's also a commentary on the idea that in order for rap to survive, we have to stretch out the drama. We have to stretch out the audience. It can't be this narrow - we have to stretch out the point of view.
Aquatic animals suffer from the disadvantage that they cannot scream when in pain, so we find it hard to gauge the degree of their agony. If fish could scream, angling purely for sport would be outlawed without delay.
Two infinities: the one that stretches to the beginning but never touches-when you halve and halve and halve, infinitely-and then the one that spreads out into the endless, endless future, the endless, endless, distance.The set of infinities that is itself infinite.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
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